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Monday, November 25, 2024
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Arts + Culture
Performance
Performance
Top reads
SF Sketchfest recs for every taste and persuasion
Drama Masks: Surround yourself with family, of whatever kind you choose
Drama Masks: When the whole world feels ‘Akimbo’
Drama Mask: ‘Matchbox Magic Flute’ is a mini-Mozart marvel
Can’t they stay this way forever? Only if they bridge ‘The Gulf’
Two mighty giants of art go wall-to-wall in ‘The Contest’
Bow before the Canadian drag power of Queen Priyanka
‘They come across oceans’: SF International Hip Hop DanceFest keeps leaping ahead
Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’
At SF Opera, a ‘Tristan and Isolde’ that’s hardly a tragedy
Stage Review
In ‘Exhaustion Arroyo,’ hell is a pizza parlor (but escape—and ‘shrooms—await)
Charles Lewis III
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May 8, 2023
An urgent Gen-Z Latinx tale of inheriting a world that’s burning around you, at Cutting Ball Theatre
Onstage
It’s Stuttering Awareness Week. Nina G’s comedy album drops 12 tracks of education
Caitlin Donohue
-
May 7, 2023
Micro-aggressions 'just go right into my act,' says the Alameda-born stand-up
Performance
Focus on the positive floods 6th Oaklash fest with drag joy
Joshua Rotter
-
May 7, 2023
'Let's get sickening' with a full slate of drag community programming and gonzo performances.
Stage Review
Killing My Lobster gives good oral history in ‘Mythed Opportunity’
Charles Lewis III
-
May 1, 2023
Ancient Egypt, Ghana, the Incas, Shen Yun, and Vanessa Carlton's 'A Thousand Miles'? The improv troupe delights
Onstage
Migguel Anggelo of LatinXoxo: ‘Art is an open book of the human soul’
Joshua Rotter
-
April 30, 2023
'My work is all about acceptance, belonging, love, and safety,' says the queer Venezuelan American performer, coming to Stanford Live
Stage Review
Language as a vehicle for meaning beyond words in ‘English’
Charles Lewis III
-
April 23, 2023
At Berkeley Rep, an excellent cast and light touch propel a tale of cultural identity in an Iranian classroom
Stage Review
‘Cyrano’ in the friend zone
Charles Lewis III
-
April 21, 2023
Diverse cast and lavish production at Aurora Theatre can't quite dispel the 19th century work's toxic ideas.
Stage Review
On a mission through mistaken identity in ‘Aren’t You…?’
Charles Lewis III
-
April 18, 2023
At the Marsh Berkeley, Fred Pitts embarks on a spiritual journey punctuated by comically racist assumptions
Stage Review
Shotgun Players’ ‘Triumph of Love’ navigates perils of historic rom-com
Charles Lewis III
-
April 17, 2023
Despite drag and intrigue, Pierre Carlet de Marivaux’s 1732 script presents challenges.
Stage Review
Revenge tale ‘Is God Is’ brings grindhouse evil to the stage
Charles Lewis III
-
April 12, 2023
Two sisters fall into an abyss of familial violence in Aleshea Harris' play at Oakland Theater Project.
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