Sponsored link
Saturday, January 4, 2025

Sponsored link

Arts + CulturePerformance

Performance

Dance

‘They come across oceans’: SF International Hip Hop DanceFest keeps leaping ahead

Mary Carbonara -
26 years in, mastermind Micaya speaks on the wildly popular showcase's ever-growing global community.
Stage Review

Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’

Charles Lewis III -
Noël Coward's classic is reanimated at Aurora Theatre in grand style—and dials up the himbo-factor.
Stage Review

At SF Opera, a ‘Tristan and Isolde’ that’s hardly a tragedy

Charles Lewis III -
Eun Sun Kim's conducting is so masterful, she makes Wagner's five-hour tale of dramatic love and death almost fun.
Stage Review

Sharp & Fine’s ‘A Detective Story’ danced seductively around its central mystery

Charles Lewis III -
World premiere at Z Space offered queer love, monstrous transformations supernatural moves... and a lingering question.
Stage Review

In ‘Breed or Bust,’ Joyful Raven puts a face on vital reproduction issues—hers

Charles Lewis III -
Moving and hilarious solo show at the Marsh SF tackles relationships, abortion, birth control with poignant urgency.
Stage Review

Fabulous alien scares aplenty in ‘Fatal Abduction’—just watch that anal probe

Charles Lewis III -
The latest Terror Vault installation has an elaborate backstory, lots of green goo, and, of course, a wormhole.
Onstage

Quiet, please: Mummenschanz is still miming magic 50 years on

Nicole Gluckstern -
'It’s poetic, it’s playful, it’s interactive' says founder Floriana Frassetto of troupe's iconic human slinkys and toilet paper faces.
Stage Review

MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh

Charles Lewis III -
In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.
Onstage

Meet the makeup mastermind behind Terror Vault’s shocking aliens

Nicole Gluckstern -
Backstage at the 'Fatal Abduction' show, Jason Henricks works magic with prosthetics, color, and triple nipples.
Stage Review

AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’

Charles Lewis III -
In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.

In this section

Top tags

San FranciscoBay AreaCaliforniaMayorHousingMusicMissionPoliceFilmMediaArtHistoryOaklandNewscommunitiesBreedHealthWorkersRentDevelopmentPlanningFestivalCultureArtsDancePerformancePoliticsStageTheaterBoard of SupervisorsFoodTechLondon BreedCity HallTrumpAgendaACTVotersJobsQueer

Sponsored link

Sponsored link
48 Hills logo

48hills.org is the official publication of the non-profit San Francisco Progressive Media Center.

We are community supported journalism. Become a member.

News

Business + TechCampaign TrailCOVIDEducationForeign CorrespondentHomelessnessHousing

Politics

Campaign TrailCity HallElectionsOpinionThe Agenda

Arts

ArtArts ForecastDanceLitMoviesMusicPerformanceScreen Grabs

Culture

CultureExamined LifeNightlifeParty RadarPuff

Special Sections

Best of the Bay
Bay Guardian Archives
Cart

Connect

Become a Member
Newsletter
Advertise
Privacy Policy
Contact