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Saturday, November 23, 2024
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Arts + Culture
Performance
Performance
Top reads
SF Sketchfest recs for every taste and persuasion
Drama Masks: Surround yourself with family, of whatever kind you choose
Drama Masks: When the whole world feels ‘Akimbo’
Drama Mask: ‘Matchbox Magic Flute’ is a mini-Mozart marvel
Can’t they stay this way forever? Only if they bridge ‘The Gulf’
Two mighty giants of art go wall-to-wall in ‘The Contest’
Bow before the Canadian drag power of Queen Priyanka
‘They come across oceans’: SF International Hip Hop DanceFest keeps leaping ahead
Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’
At SF Opera, a ‘Tristan and Isolde’ that’s hardly a tragedy
Stage Review
‘Ode to Jane’: Flying high in the Tenderloin for abortion rights
Charles Lewis III
-
October 9, 2024
Flyaway Productions' latest sees death-defying dancers dangling above while trenchant pro-choice voices play.
Onstage
In threatening times, Dan Hoyle seeks out democracy with a small ‘d’
Emily Wilson
-
October 9, 2024
The theatrical chameleon's new 'Takes All Kinds' incorporates the voices of unlikely characters across the US.
Onstage
Live Shots: Behold the horrors of ‘Terror Vault: Fatal Abduction’
Jon Bauer and Patty Riek
-
October 9, 2024
Latest immersive spooky season hit at the Old Mint features an alien adventure to die for.
Dance
A new form of dance storytelling to explore deep Cuban-Guinean connections
Mary Carbonara
-
October 8, 2024
With music and movement, Bongo Sidibe and Susana Arenas Pedroso's 'RaÃces et Résistance' is 'building bridges for all the diasporas.'
Stage Review
Rapping out historical trauma across the Rio Grande in ‘Mexodus’
Charles Lewis III
-
October 7, 2024
Little-known history of enslaved people escaping to Mexico is brought to exhilarating musical life at Berkeley Rep.
Stage Review
Latine update of Coward’s ‘Private Lives’ added layers to 100-year-old toxic tale
Charles Lewis III
-
October 6, 2024
At ACT, director K.J. Sanchez's race-bent casting discovered new depths in the marriage-is-hell comedy.
Stage Review
Killing My Lobster’s Agatha Christie send-up slays racist whodunnit tropes
Charles Lewis III
-
October 1, 2024
The comedy troupe's 'J'Accuse!' gets its kicks spoofing melodramatic murderers and foul epithets.
Stage Review
A hearty Amen! to ‘The Black Feminist Guide to the Human Body’
Charles Lewis III
-
October 1, 2024
At Magic Theatre, Lisa B. Thompson's play preaches holistic self-acceptance via three vivacious leads.
Stage Review
Clearing the cobwebs from ‘Arsenic and Old Lace’ at Center Rep
Charles Lewis III
-
September 24, 2024
https://www.lesherartscenter.org/Home/Components/Calendar/Event/17293/3146
Dance
Margaret Fisher at Other Minds: How do you choreograph for autonomous cellos?
Marke B.
-
September 23, 2024
Legendary dance-maker guides us through her work for Trimpin's 'Cello Quartet' at upcoming experimental music gathering.
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