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Monday, November 25, 2024
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Arts + Culture
Performance
Performance
Top reads
SF Sketchfest recs for every taste and persuasion
Drama Masks: Surround yourself with family, of whatever kind you choose
Drama Masks: When the whole world feels ‘Akimbo’
Drama Mask: ‘Matchbox Magic Flute’ is a mini-Mozart marvel
Can’t they stay this way forever? Only if they bridge ‘The Gulf’
Two mighty giants of art go wall-to-wall in ‘The Contest’
Bow before the Canadian drag power of Queen Priyanka
‘They come across oceans’: SF International Hip Hop DanceFest keeps leaping ahead
Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’
At SF Opera, a ‘Tristan and Isolde’ that’s hardly a tragedy
Stage Review
A love reappraised in ‘Grandma & Me,’ lesbian telenovela drama in ‘Overlooked Latinas’
Charles Lewis III
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October 24, 2022
At The Marsh SF, solo shows by Brian Copeland and Tina D'Elia gain much from the electric charge of a live audience
Performance
Live Shots: Lewis Black brought spunk—and plenty of F bombs—to Regency Ballroom
Jon Bauer
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October 23, 2022
The comedian took aim at Fleet Week, California's high-speed rail debacle, Herschel Walker, and COVID loneliness.
Stage Review
Godot, with laughter: Bill Irwin’s ‘On Beckett’ underlines the playwright’s humor, humanity
Marke B.
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October 21, 2022
At ACT, the Tony-winning clown brilliantly demonstrates his lasting obsession with the imposing Irish genius
Onstage
“I’ll make it even wilder”: Bill Irwin takes ‘On Beckett’
Emily Wilson
-
October 16, 2022
The accomplished physical comedian brings his ever-changing relationship with the Irish playwright's work to the A.C.T.
Stage Review
2 very San Franciscan blood baths, to take the edge off
Charles Lewis III
-
October 16, 2022
Killing My Lobster's 'Freddy Krueger's Day Off' and Misfit Cabaret's 'Bite' bleed true.
Stage Review
Irma Herrera takes on tricky identity issues in ‘Why Would I Mispronounce My Own Name?’
Charles Lewis III
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October 13, 2022
At The Marsh Berkeley, the Tejana civil rights lawyer connects her story to the current state of the world
Stage Review
Clash of generations in ‘Aunt Jack’ hilariously upends LGBTQ+ cliches
Charles Lewis III
-
October 10, 2022
Nora Brigid Monahan's West Coast premiere at New Conservatory seizes on familiar genre tropes to tell a necessary story
Stage Review
Rousing ‘Indecent’ is a celebration of Judaism and theater
Charles Lewis III
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October 7, 2022
SF Playhouse production of Paula Vogel's play delves deep in the past to question the political role of art
Stage Review
Naming the wave: Christina Anderson’s ‘the ripple’ dives into deep waters
Charles Lewis III
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October 4, 2022
World premiere multigenerational drama at Berkeley Rep swims through acts of righteous rebellion
Stage Review
Transporting ‘Passengers’ comforts as it thrills
Marke B.
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October 3, 2022
Acrobatic fantasia at A.C.T. gets plenty of steam from romantic train imagery and talented 7 Fingers company
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