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Monday, November 25, 2024

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Arts + CulturePerformance

Performance

A love reappraised in ‘Grandma & Me,’ lesbian telenovela drama in ‘Overlooked Latinas’

At The Marsh SF, solo shows by Brian Copeland and Tina D'Elia gain much from the electric charge of a live audience

Live Shots: Lewis Black brought spunk—and plenty of F bombs—to Regency Ballroom

The comedian took aim at Fleet Week, California's high-speed rail debacle, Herschel Walker, and COVID loneliness.

Godot, with laughter: Bill Irwin’s ‘On Beckett’ underlines the playwright’s humor, humanity

At ACT, the Tony-winning clown brilliantly demonstrates his lasting obsession with the imposing Irish genius

“I’ll make it even wilder”: Bill Irwin takes ‘On Beckett’

The accomplished physical comedian brings his ever-changing relationship with the Irish playwright's work to the A.C.T.

2 very San Franciscan blood baths, to take the edge off

Killing My Lobster's 'Freddy Krueger's Day Off' and Misfit Cabaret's 'Bite' bleed true.

Irma Herrera takes on tricky identity issues in ‘Why Would I Mispronounce My Own Name?’

At The Marsh Berkeley, the Tejana civil rights lawyer connects her story to the current state of the world

Clash of generations in ‘Aunt Jack’ hilariously upends LGBTQ+ cliches

Nora Brigid Monahan's West Coast premiere at New Conservatory seizes on familiar genre tropes to tell a necessary story

Rousing ‘Indecent’ is a celebration of Judaism and theater

SF Playhouse production of Paula Vogel's play delves deep in the past to question the political role of art

Naming the wave: Christina Anderson’s ‘the ripple’ dives into deep waters

World premiere multigenerational drama at Berkeley Rep swims through acts of righteous rebellion

Transporting ‘Passengers’ comforts as it thrills

Acrobatic fantasia at A.C.T. gets plenty of steam from romantic train imagery and talented 7 Fingers company

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