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Tuesday, November 26, 2024

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Arts + CulturePerformance

Performance

At Cal Shakes, a ‘Lear’ set adrift in Black San Francisco

Marcus Gardley's play moves Shakespeare's royal tragedy to the Fillmore in 1969, with much pontificating.

‘Man of God’: High school avengers seek to slay for thousand sexist cuts

Trigger warning: This review and the production it covers address the topics of sexual harassment, sexual assault, incest, and eating disorders. At the traditional pre-show...

Keith Hennessy set the pandemic to dance at CounterPulse with ‘Back’

The choreographer finds joy—and a fanciful stage wardrobe—in early COVID memories.

Live Shots: Oakland Pridefest’s Big Freedia, Crystal Waters, and more shimmered onstage and off

Captures from the fest really "harness" The Town's afternoon energy.

Going hard for the Bard: SF Opera’s jaw-dropping ‘Antony and Cleopatra’

John Adams' latest transports Shakespeare to 1930s Europe—and set designer Mimi Lien nearly steals the show

Eclectic ‘Evolution’ from Ferocious Lotus runs gamut of Asian American expression

Supernatural historical epic, time-traveling sci-fi comedy, romantic parody add up to a theatrical sizzle reel

‘Moulin Rouge’ and ‘The Empire Strips Back’: two bonkers spectacles on SF stages

If you're the type of Star Wars fanboy who gets his Underoos in a twist about the franchise "going woke" by including diverse actors...

Live Shots: Face, flair, and fabulousness at Hella Hyphy Ball

Fierce vogue contestants plus classic Oakland hip-hop sounds lit up Lake Merritt—with some surprise special guests.

‘Lear’ comes to the Fillmore: A Bay take on Shakespeare’s great tragedy

Cal Shakes' new production centers Blackness, and features live accompaniment by jazz favorite Marcus Shelby.

Truth, as viewed through a tangle of perceptions, in ‘This Much I Know’

Two things came to mind as I sat down to write this review. The first was a line from Indiana Jones and the Last...

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