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Tuesday, November 26, 2024

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Arts + CulturePerformance

Performance

Stage Review

In ‘Encore’ at NCTC, the song remains the same

Charles Lewis III -
A flip though the company's musical numbers of the past two years should be a romp, but needs context and energy
Onstage

85-minute lipsync becomes theater star’s joy in ‘Dana H.’

Lou Fancher -
Jordan Baker speaks to the rigor involved in portraying the true-life tale of a chaplain counselor's five-month abduction.
Onstage

The Cockettes live wildly on in ‘Eternal Emissions’

Joshua Rotter -
The gender-bending, glitter-encrusted spirit of stage anarchy returns, with music by original member Scrumbly
Stage Review

As ‘Monument’ shows, having a seat at the table doesn’t mean you have a voice

Charles Lewis III -
Sam Chanse play at Magic Theatre revolves around four sisters in crisis—and an animated sloth.
Onstage

Oaklash explodes with a full week of drag activism, film, parties, cute shows

Joshua Rotter -
'I want Oaklash to be the next Treasure Island Music Festival, the next Treasure Island Media,' says founder
Onstage

Pop-Up Magazine springs back onstage, with one of Oakland’s best young artists

Marke B. -
Adrian L. Burrell taps deep levels of Oakland family history at the live storytelling spectacle (and discovers a surprise Beyonce connection)
Stage Review

Dancers lifted by a resonant voice in Alonzo King LINES Ballet’s ‘Deep River’

Charles Lewis III -
Collaboration among choreographer King, composer Jason Moran, and vocalist Lisa Fisher at YBCA captivates
Stage Review

‘Octet’ unleashes the demons of Internet obsession, in song

Charles Lewis III -
With a solid cast, Dave Molloy's play at Berkeley Rep takes on addiction to 24/7 digital culture—but should come with a tl;dr
Dance

With a flash of ‘Swan Lake’ feathers, Helgi Tómasson departs SF Ballet

Charles Lewis III -
A cannily chosen classic brings glamour, tragedy, and hope as the company's artistic director bids farewell.
Stage Review

‘The Incrementalist’ contrasts Black activism then and now, radical or from within

Charles Lewis III -
Cleavon Smith's world premiere at Aurora Theatre aims for 'meet me halfway' dialog on Berkeley campus turmoil

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