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Tuesday, April 15, 2025

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Arts + CulturePerformance

Performance

Onstage

Review: ‘Woman in Black’ gives all the right scares

Charles Lewis III -
'London's longest-running ghost story' comes to the Strand—delivering a good kind of terror for our times.
Performance

Review: Gay love story ‘Gently Down the Stream’ stirs few ripples

Charles Lewis III -
At New Conservatory, a technically well-done play by the author of 'Bent' seems too familiar even for rom-com territory.
Dance

Review: SF ballet delivers comforting ‘Nutcracker’ in less-than-plum circumstances

Charles Lewis III -
Clara battles giant pests and reaches wonderland—a hopeful contemporary parallel, if only the audience could keep up.
Onstage

From Cheech & Chong to Asian AF, your SF Sketchfest hit list

Tamara Palmer -
Our top picks to catch at the city's world-class comedy festival, celebrating 20 years of hilarity.
Onstage

Review: Shotgun Players’ ‘Cassandra Sessions’ reminds us we’re not out of the woods yet

Charles Lewis III -
Poetically nailing the COVID era in all its claustrophobia, futility, and mansplaining... with Malvina Reynolds' folk songs.
Onstage

Review: Bright ‘Twelfth Night’ can’t quite wash away outside concerns

Charles Lewis III -
At SF Playhouse, Shakespeare's other shipwreck play has great elements—but not enough protocols.
Onstage

‘Plot Point in Our Sexual Development’ dissects a history of trans love

Charles Lewis III -
Definitions of "comfort" are contested as a couple rolls through their sexual triumphs and trials.
Onstage

Review: ‘Father/Daughter’ challenges audiences with surprising double roles

Charles Lewis III -
The first Aurora Theatre Company show for live audiences since February of 2020 explores serious daddy issues.
Performance

Thank you for being a queen: “Golden Girls Live!” returns to save Christmas

Joshua Rotter -
Founder Heklina dishes BTS tidbits from SF's silver-haired "ho ho ho" tradition.
Onstage

Review: Berkeley Rep reopens with fluffy ‘Wintertime’

Charles Lewis III -
The company's welcome return is a farce full of slamming doors and convoluted coupling that never quite snowballs.

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