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Wednesday, April 16, 2025

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Arts + CulturePerformance

Performance

Performance

Thank you for being a queen: “Golden Girls Live!” returns to save Christmas

Joshua Rotter -
Founder Heklina dishes BTS tidbits from SF's silver-haired "ho ho ho" tradition.
Onstage

Review: Berkeley Rep reopens with fluffy ‘Wintertime’

Charles Lewis III -
The company's welcome return is a farce full of slamming doors and convoluted coupling that never quite snowballs.
Dance

With conch and shimmer, a taste of queer fantasy ‘TRY’

Rita Felciano -
At an 'In Process' viewing at Z Space, Circo Zero and Ishmael Houston-Jones' 'deep collaboration' unfurled in a gorgeous atmosphere.
Dance

Review: In Post:ballet’s ‘Lyra,’ a myth immersed in Eastern California’s beauty

Larissa Archer -
A dance film with live score broadcast through 75 speakers, this spin on the Eurydice and Orpheus tale was breathtaking
Dance

A shining ‘Noche de Oro’ planned for Ballet Hispánico’s 50th anniversary

Emily Wilson -
The lauded company—fresh from an unexpected windfall—brings 'Tiburones,' the King of Mambo, and 'flamenco eyes' to Zellerbach.
Onstage

Building new plays at Berkeley Rep, from the Ground Floor up

Emily Wilson -
An innovative program helps artists and writers develop ideas for the stage—and you can apply.
Onstage

Review: SF Playhouse gallops toward big themes in ‘The Great Khan’

Charles Lewis III -
Some spot-on dialogue, dedicated performances, and a solid premise—but Michael Gene Sullivan's play is trying to do too much.
Onstage

Review: ‘The Claim’ captures the hurricane of immigration red tape

Charles Lewis III -
Shotgun Players return with a rapid-fire examination of the limits of bureaucratic and romantic language.
Onstage

Review: In ‘Interlude,’ swept back to Kansas by COVID

Charles Lewis III -
Harrison David Rivers' intriguing play explores the frustrations of sheltering in place in your parents' home—especially when you're gay and Black.
Dance

Dance festival honors 5700 indigenous people once buried in Dolores Park

Rita Felciano -
FLACC's outdoor Latinx and Indigenous performances in 'sii agua sí: Remembering the Waterways in Yelamu' activate the forgotten

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