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Saturday, November 23, 2024

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Arts + CulturePerformance

Performance

Stage Review

Promising ‘Richard II’ doesn’t quite take the crown

Charles Lewis III -
... and with this cast and stage design, that's a true historical tragedy.
Stage Review

In ‘Shipping & Handling,’ a meta-sci-fi scan of AI and Blackness

Charles Lewis III -
Star Finch's latest delves into contemporary concerns about what kind of robots will take over the world.
Best of the Bay

Best of the Bay 2024 Editors’ Pick: Cal Performances

Lou Fancher -
Berkeley series' 119th season continues a visionary streak of diversity, from South African chamber opera to Brazilian folkloric ballet.
Dance

A spirited dash through Black music history in ‘Following the Road to Ose Tura’

Charles Lewis III -
Last weekend at Dance Mission, Adia Tamar Whitaker and Àṣẹ Dance Theater connected African villages to US streets.
Performance

In 1960s secretary drag, she types strangers’ DNC week letters to POTUS

Caitlin Donohue -
Sheryl Oring's Bay-born "I Wish to Say" project has loosed tongues for two decades—now she's on the ground in Chicago.
Best of the Bay

Best of the Bay 2024 Editors’ Pick: Katya Smirnoff-Skyy

Charles Lewis III -
Stage queen serves polished pipes and pathos from Oasis to New Conservatory Theatre Center.
Onstage

Star Finch’s ‘Shipping & Handling’ urges consideration of what we’re being delivered

Emily Wilson -
We spoke with the playwright about her most ambitious production to date.
Best of the Bay

Best of the Bay 2024 Editors’ Pick: Cutting Ball Theater

Charles Lewis III -
With one production left before the final bow, this beloved Tenderloin stage needs help from its community of weirdos.
Dance

‘It’s Brat Summer, turn on the tunes’: 5th FACT/SF Fest steps out

Mary Carbonara -
Organizer-choreographer Charles Slender-White's gathering foregrounds artist integrity with plenty of sparkle.
Stage Review

‘Collective Rage’: 5 Betties, a puppet, a vaginal hand mirror, and some yummy ice cream

Charles Lewis III -
Laughing to keep from crying at Shotgun Players' production of Jen Silverman’s play.

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