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Tuesday, January 7, 2025

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Arts + CulturePerformance

Performance

Stage Review

Killing My Lobster’s Agatha Christie send-up slays racist whodunnit tropes

Charles Lewis III -
The comedy troupe's 'J'Accuse!' gets its kicks spoofing melodramatic murderers and foul epithets.
Stage Review

A hearty Amen! to ‘The Black Feminist Guide to the Human Body’

Charles Lewis III -
At Magic Theatre, Lisa B. Thompson's play preaches holistic self-acceptance via three vivacious leads.
Stage Review

Clearing the cobwebs from ‘Arsenic and Old Lace’ at Center Rep

Charles Lewis III -
https://www.lesherartscenter.org/Home/Components/Calendar/Event/17293/3146
Dance

Margaret Fisher at Other Minds: How do you choreograph for autonomous cellos?

Marke B. -
Legendary dance-maker guides us through her work for Trimpin's 'Cello Quartet' at upcoming experimental music gathering.
Stage Review

Cal Shakes returns with a sparkling cast for ‘As You Like It’

Charles Lewis III -
The rescued company's new production dazzles, but sudden tonal shifts can leave one lost in the forest of Arden.
Onstage

When it comes to telling Black womens’ stories, Lisa B. Thompson goes big

Lou Fancher -
Latest play 'The Black Feminist Guide to the Human Body' at Lorraine Hansberry Theatre embraces the universal.
Best of the Bay

Welcome to Best of the Bay 2024: The New Classics!

Marke B. -
Our 50th annual Readers' Poll celebrates everything that's Best about the Bay Area—from the people who live here.
Stage Review

Death is a vivid handshake in beguiling ‘Un Ballo in Maschera’

Charles Lewis III -
SF Opera's Verdi is taut and athletic under conductor Eun Sun Kim, with a game cast and striking costumes.
Dance

20 years in, Sean Dorsey Dance Company embodies ‘joyous, righteous resistance’

Mary Carbonara -
'Our existence is under attack,' says trailblazing trans choreographer, whose troupe celebrates two decades of essential art.
Stage Review

In ‘Paradise,’ Puerto Rico’s colonial struggles reflected in everyday life

Charles Lewis III -
Tere Martínez's bright, brief play at Brava shows how imperialism becomes the norm by pitting folks against one another.

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