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Saturday, November 23, 2024
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Arts + Culture
Performance
Performance
Top reads
SF Sketchfest recs for every taste and persuasion
Drama Masks: Surround yourself with family, of whatever kind you choose
Drama Masks: When the whole world feels ‘Akimbo’
Drama Mask: ‘Matchbox Magic Flute’ is a mini-Mozart marvel
Can’t they stay this way forever? Only if they bridge ‘The Gulf’
Two mighty giants of art go wall-to-wall in ‘The Contest’
Bow before the Canadian drag power of Queen Priyanka
‘They come across oceans’: SF International Hip Hop DanceFest keeps leaping ahead
Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’
At SF Opera, a ‘Tristan and Isolde’ that’s hardly a tragedy
Culture
After nearly 50 years, a Mission tradition keeps the neighborhood spirit alive
Laura Fraser
-
May 28, 2024
No matter how else the city is hollowed out of its creativity, once a year there’s always Carnaval.
Stage Review
‘Galileo’: Strangely familiar music of the spheres
Charles Lewis III
-
May 20, 2024
Script is sharp, cast is good, and music is catchy, yet rock musical at Berkeley Rep just misses cosmic harmony.
Onstage
Rumi’s favorite 12th century epic comes to musical life in ‘The Language of the Birds’
Lou Fancher
-
May 20, 2024
Composer Sahba Aminikia blends Farsi vocals blend with AI animation for Persian mystic Farid ud-din Attar's storied tale.
Stage Review
Killing My Lobster dives into improv pot for ‘Lobster Boil,’ emerges fully cooked
Charles Lewis III
-
May 20, 2024
Unique script pushes the veteran comedy troupe to push for laughs like they have something to prove.
Stage Review
‘Hear Our Voices’: How many colors are in that Pride flag?
Charles Lewis III
-
May 16, 2024
Left Coast Theatre Co.’s new show of shorts aims to represent myriad queer identities—and almost gets there
Onstage
Ambitious ‘Galileo’ discovers a musical universe all its own
Lou Fancher
-
May 14, 2024
Composers Michael Weiner and Zoe Sarnak take off from rock and pop to explore more celestial sounds.
Stage Review
Mythic TikTok: Ancient heartbreak gets a Gen Z update in ‘Red Red Red’
Charles Lewis III
-
May 13, 2024
OTP's staging of poet Anne Carsons retelling of the Greek tale of Geryon nails eternal youthful crushes.
Stage Review
‘Blue Door’ brilliantly worms out the mundane intricacies of Black self-hatred
Charles Lewis III
-
May 9, 2024
At Aurora, Michael J. Asberry gives one of his best performances as an Ivy League prof haunted by valiant ancestors.
Stage Review
Uproarious camp-fest ‘Bitch Slap!’ is a surprisingly touching ode to SF
Charles Lewis III
-
May 8, 2024
D'Arcy Drollingers tribute to over-the-top '80s soaps features the talents of folks who could only be found here.
Arts + Culture
‘The Tutor’ offers a radical take on love triangles, queer Iranian expat-style
Charles Lewis III
-
May 7, 2024
Torange Yeghiazarian's NCTC play refreshingly lets a young lesbian from a repressive county just be horny.
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