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Wednesday, May 8, 2024

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Tagged with: Festival

Screen Grabs: Confronting the horror of throwing kids in cages

Plus: Inspiring eco-youth in 'Blueback,' devastating grooming in 'Palm Trees and Powerlines,' snitty brats in 'Children of the Corn'

Radio play ‘The Forever Wave’ imagines a climate-drowned SF of 2070

Writer Nicole Gluckstern and a diverse cast take to the airwaves to ask, What will emerge when our systems collapse?

Erin Merritt stirs domestic terrorism, violent rhetoric—and humor!—into ‘Tea Party’

The director, weathering ALS, fulfills a decade-long dream to stage Gordon Dahlquist's scabrous satire.

Samara Joy and Orchestra Gold define the new classic at 40th SF Jazz Festival

3 concerts you'll want to lock in now—plus news on a redefinitional approach to the Great "American" Songbook.

Screen Grabs: WinterFest brings Ukrainian kids, artificial shtetls, orthodox drama

Plus: 8mm video diaries by late, great local resident George Kuchar and a history of the Laemmle theatre chain

‘Out of a dream’: Cat Brooks was guided by Natasha McKenna to tell slain woman’s story

Playwright-activist's poetic ''Tasha' is a powerful, shocking biographical work at 3Girls Theatre’s New Works Festival.

Under the Stars: Idris Ackamoor celebrates 50 visionary years of cosmic jazz

Plus: Post-punk power trio Orion's Belte swing by, Los Bitchos are back (in 'Daria' shorts?), more music news

30 years of wild Noise Pop nights and ‘talent beyond genre’

Festival co-owner Jordan Kurland on filling the city with independent music and his favorite live moments

Screen Grabs: Noise Pop Film Fest brings space bubbles, rap spoofs, toxic New Wave fans

Plus: 'First Fallen" confronts AIDS in Brazil, beguiling mystery in 'Magoado,' Naples thriller 'Nostalgia,' more new movies

Screen Grabs: How to be a man’s man—and why not to be one

Godland, The Integrity of Joseph Chambers, Marlowe, The Wounded Man, more reviewed. Plus: Wild & Scenic Film Festival