Saturday, October 31, 2020
Performance Onstage 'The Secret Garden' blooms with wonder and beauty

‘The Secret Garden’ blooms with wonder and beauty

With outstanding young lead Katie Maupin, 42nd Street Moon's production of this classic has charm -- and lovely voices -- to spare.

-

ONSTAGE The Secret Garden has been on Broadway, in the movies (since 1949!), and performed at probably every regional theater in the country at least once. But 42nd Street Moon’s production (Through December 24) is still full of brilliant surprises –- not least of which is the dazzling performance of 12-year-old Katie Maupin in the lead role of Mary Lennox, the orphaned girl who comes from India to live with her distant uncle Archibald Craven (Brian Watson) in England and changes the life of everyone around her.

As a young actress, Maupin expertly portrays a wide range of emotions, from a sullen child who is taken 6,000 miles away from her home after her parents die of cholera, to frightened girl listening to “wuthering winds” and mysterious crying in the cold mansion “with something wrong inside it,”  to a tender companion when she discovers she has a cousin, the bedridden Colin (Tyler Groshong), whom no one has thought to mention to her.  Maupin even goes wildly over the top with great flair, as she does when her uncle’s brother Neville (Edward Hightower) tries to pack her off to boarding school. In a hilarious scene, she whirls around shouting in tongues, feigning madness to keep from being sent away “to a filthy rat hole full of brats and dirty beds.”

As is to be expected from 42nd Street Moon, a company that excels in musicals, the singing and dancing are superb all around. The play’s original book and lyrics are by Marsha Norman and the music by Lucy Simon; it was the first Tony-winning show with both music and lyrics by women. This production is also creatively led by three women: director Dyan McBride, musical director Lauren Mayer, and choreographer Robyn Tribuzi. 

Michael Mohammed, Anjali Blacker, Ryan Henry, Amanda Johnson, Terrence McLaughlin, and Corinne Rydman in 42nd Street Moon’s ‘The Secret Garden.’ Photo by Ben Krantz Studio.

Tribuzi weaves in diverse dances to accentuate the mood of the moment, including stately waltzes by British colonial army officers and their wives, a hearty Yorkshire jig, and a graceful Indian-inspired duet with Mary and Ayah, the bright, animated Anjali Blacker.  

All of the voices are terrific, some are outstanding. Maidservant Martha’s (Heather Orth) robust solo, “A Fine White Horse,”  brings down the house. Martha’s good humor, compassion and delicious disobedience help guide Mary through her loneliness. Her flawless command of the north country accent places us solidly in Yorkshire (others are not so consistent). Mary’s Aunt Lily (Sharon Rietkerk) appears both as a living young fiancĂ©e and as a ghost. In both astral planes, she is so loving and lovely, it is easy to understand why Archibald is still obsessed by her, years after she has died in childbirth. Her duets with her son Colin, “Come to My Garden,” and with her widowed husband, “How Could I Ever Know?” are heartbreaking. 

Katie Maupin as Mary Lennox and Heather Orth as Martha in ‘The Secret Garden.’ Photo by Ben Krantz Studio.

The best theater, as Aristotle taught long ago, involves transformations — and The Secret Garden has them in abundance, some predictable (though no less moving) and some metaphorical. The bed-ridden Colin, who is convinced (because he has been told by his doctor uncle) that he is about to die, rises from his bed, and then from his wheelchair to walk in his mother’s garden and into his father’s arms. His father, whose heart has been so shut down by his wife’s death that he cannot even bear to greet his niece though he knows she is the only relative she has, eventually learns to love again.   

The secret garden, behind a locked gate overgrown with ivy, also transforms. When first discovered by Mary with the help of Martha’s brother Dickon (Keith Pinto) it is overgrown with “loose grey branches looped around the trees like ropes or snakes and dead roots and leaves all tangled on the ground, still and cold.” Only a robin’s song offers a trill of hope. “Wick,” Dickon’s optimistic duet with Mary  — “When a thing is wick, it has a life about it …a way of knowing when it is safe to grow again” —  is another high point of the production.

Scott Hayes as Ben Weatherstaff and Katie Maupin as Mary Lennox. Photo by Ben Krantz Studio.

I suppose this often-told story (originally a 1911 novel by Frances Hodgson Burnett) has endured because, at bottom, it is about what makes a family and a home. When Archibald asks his niece what she wants, she eschews his offers of books or dolls and tells him she would like “a little bit of earth.” In the first act, he regards her request as a cruel reminder of his own despondency: “How can she chance/To love a little bit of earth/Does she not know/The earth is old/And doesn’t care if/One small girl wants things to grow.”

By the time he and the ghost of Lily reprise the song in Act II, beneath a fountain of roses and accompanied by the songs of birds, it becomes a hopeful tribute: “She wants a little bit of earth/She’ll plant some seeds/The seeds will grow/The flowers bloom/But is their bounty/What she needs?”

This musical, in the hands of this cast and production team is definitely “Wick,” brimming with life and making hearts grow.  Grab your children — and their grannies — for this beautiful show.  It will be the high point of their holiday season!

The Secret Garden
Through December 24
42nd Moon, SF.
Tickets and more info here 

More by this author

Review: ‘Gloria’ reveals what lurks beneath office culture’s bright lights

If you’ve ever worked in an office—and, face it, who hasn’t—the stage set for Gloria (through April 12 at ACT's Strand Theater) will feel...

Review: ‘Mimi’s Suitcase’ packs a lot in, but destination is cloudy

Even before the play begins, a red suitcase is in full view, slightly stage right, on an otherwise empty set. During the course of the...

Review: Hanukkah with the Klezmatics? You bet your latkes.

On December 22, The Klezmatics celebrated the first night of Hanukkah at the SFJAZZ  but—unfortunately for San Franciscans—unlike the oil in the Macabees’ lamp,...

With women at its center, ‘Amaluna’ sparkles and charms

I can’t even count how many times I held my breath or clutched on to my seat.  Or put my palms over my eyes,...

Review: A fiery intellect bound by exoticism in ‘The Chinese Lady’

Even as the audience files in, we are already part of the play, or rather, the exhibition. Atung (Will Dao) sits in front of...

Most read

Letter from Kenosha: A community under seige

A police shooting, a right-wing vigilante, military humvees, and a small town trying to heal

More election sleaze: Fake tenant groups in District 1

Organizations that didn't exist a month ago are suddenly saying that tenants support Marjan Philhour.

The end of Shahid Buttar’s campaign — and the lessons

Shahid Buttar’s campaign against Rep. Nancy Pelosi was always a longshot. He was challenging the person most responsible for challenging Donald Trump, and while...

Frida’s artful life on film—and in the galleries

Mexican icon's dramatic work and life are having a San Francisco moment, with de Young show and two screenings

Scott Wiener goes after homeless people in tents

In what homeless advocates call a “cruel” move, Sup. Scott Wiener is asking city departments to crack down on homeless people who are living...

Screen Grabs: San Francisco’s real royal family, still glittering onward

'50 Years of Fabulous' comes a courtin'. Plus: a record of the 1972 National Black Political Convention, angsty Hungarians, more

For Puerto Rican freedom, MaJo Montijo summons a bomba ‘Huracán’

Oakland musician fights "continuous colonial disaster," including Hurricane MarĂ­a aftermath, with gale-force release.

The biased coverage and real story around Lowell High and school renaming

Attention Chronicle: A lottery for the 'elite' school is neither new nor a radical idea -- and neither is discussing changing the names of schools celebrating racists and colonialists.

Big Money’s racist attacks in D7

Plus: School Board members of color get threatening online messages. Is this really San Francisco in 2020?

GOP-linked big money attacks progressive candidates and taxes in SF

Millions in PAC money from the 1 percent -- and big Mitch McConnell backer -- floods into San Francisco for last-minute hit pieces.

You might also likeRELATED