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Thursday, November 28, 2024

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Arts + CulturePerformance

Performance

Review: In ‘Oedipus El Rey,’ the wrecks of myth and mass incarceration

ONSTAGE Ten years after Oedipus El Rey premiered at the Magic Theatre, Luis Alfaro’s drama is being staged there as a legacy revival, again directed by...

Review: Herd mentality writ large (and snorting) in ‘Rhinoceros’

ONSTAGE If you think it unlikely that an absurdist comedy about raging rhinoceroses in a small French town could resonate deeply with the concerns...

‘Oedipus’ incarcerated: Esteban Carmona plays imprisoned tragic hero

ONSTAGE When you watch the Greek tragedy of Oedipus, you know how it’s gong to end. Oedipus, suffering from hubris, will kill his father and...

‘The Bald Soprano’: A perfect hour of absurdity returns, fire chief and all

ONSTAGE Ten years ago, Rob Melrose, who founded the Tenderloin’s Cutting Ball Theatre with his wife Paige Rogers, translated and directed Eugene Ionesco’s absurdist...

Kronos Festival celebrates Bayview women, Malian griot, Howard Zinn

The four members of storied SF  Kronos Quartet are in their studio in the Inner Sunset, struggling to perfect the piece they’re playing. Should...

Cal Shakes begins new season fostering fresh voices in theater

The people working at California Shakespeare Theater go all in when it comes to equity and inclusion. That means along with its program to expand...

‘The Good Book’ presents a shifting take on Bible study

Nearly every day the writers made changes to the script of The Good Book, says Lance Gardner, a cast member of the play. Lisa Peterson co-wrote...

Review: Superman is Black and invincible in ‘Supremacy’

Two modes of storytelling collide with meaningful results in Jason Mendez’s play Supremacy (at Exit Theatre through Sat/18). The playwright repurposes Superman’s origin story...

Who can ask for anything more? A review of Tony Bennett in San Jose

Dear Mr. Bennett, I rarely dress up. Outside of a funeral, you’d never see me in a tie. So when I found out you were coming to...

‘We Have Iré’ celebrates the Afro-Cuban immigrant experience—and challenge

ONSTAGE Paul Flores grew up in Chula Vista, California, near the Mexican border. His single mom worked a lot, and his grandmother was a central...

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