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Sunday, April 20, 2025

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At SF Ballet, two very different sides of ‘British Icons’

Notoriously difficult, dissimilar pieces by Kenneth MacMillan and Frederick Ashton showed the company's versatility

Now the Big Tech money is getting ridiculous

Billionaires put up $730,000 for a ballot measure that will have no impact on anyone's life—and not a penny for an affordable housing measure that would benefit everyone.

Under the Stars: The Dead shall come to Vegas, riding a 4-D Sphere

Plus: Gift of Gab tribute, 'Jolene' turns 50, Kim Gordon's packing list, Afro-techno from Bucharest, more music news

What we saw at Sundance 2024, part two: Oh, the drama!

Our critic takes in River Gallo's intersex love saga 'Ponyboi', Sean Wang's Fremont autobiographical tale, and much more.

It’s AI versus a good bowl of pho in ‘My Home on the Moon’

Minna Lee's Asian-focused queer sci-fi love story at SF Playhouse plumbs all-too-human depths of the uncanny valley.

Punk roots meet Black Panthers at retooled Studio Fallout in North Beach

Gallery connects countercultures with a display of radical artwork by BPP's Malik Edwards and Katherine Campbell.

‘How to Have Sex’ at the Mostly British Film Fest (and other cinematic selections)

Gems from across the pond include Ken Loach's swan song, an expanded Irish section, and a 'Local Hero' revival.

B-52s, Kelela, Burning Spear—the secret to this year’s local music fests is curatorial alchemy

Mixing it all up magically at Mosswood Meltdown, Sol Blume, and California Roots.

What we saw at Sundance 2024, part one: Rise of the genre flicks

This year was all about genre films, from Kristen Stewart's barbell romance to Angus Cloud's Oakland epic.

Campaign notebook: The dizzying web of big-money influence

Plus: Remarkable hype, Lurie's money, and why Breed's allies want to control the Democratic Party.

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