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Friday, January 10, 2025

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Music

Sholeh Asgary’s metamorphic ‘آبـان (Aban)’ slips from the haze of dreams

Daniel Bromfield -
The Oakland installation artist's engrossing first album is full of insects, sirens, santur, and ghostly flickers of her voice.
Movies

Screen Grabs: Gaza, Sudan, LGBTQs find focus at Arab Film Fest

Dennis Harvey -
After its cancellation last year, the 28th annual cinematic dive into the Arab world and diaspora features 40+ films from 26 countries.
Music

Brat, but Charli XCX wouldn’t let us cover it, so here’s our thoughts anyway

Tamara Palmer -
Her Sweat tour stop at Chase Center looked like a lot of fun—too bad the local queer press was stuck in the cold.
Movies

Ficks’ Picks: What we saw at the New York Film Festival

Jesse Hawthorne Ficks -
Working class Malayali romance, rebellious Russian youth, Sean Baker's wild 'Anora,' Adrien Brody's triumph + 6 more gems
The Agenda

As big-money ads drop, progressives work on GOTV efforts …

Tim Redmond -
... plus a test case for Breed's neighborhood upzoning efforts. That's The Agenda for Oct. 20-27
Homelessness

‘Where Do We Go’ launches new campaign against homeless sweeps

Tiny -
Organizers vow to set up new encampments in public spaces every time cities evict the unhoused.
Environment

Supreme Court hints at sweeping ruling that could gut the Clean Water Act

Tim Redmond -
San Francisco may have just handed the right-wing judges the ability to undermine decades of environmental law.
Art

Fan Warren’s weighty works evoke the Black Madonna in all her glory

Mary Corbin -
Oakland artist pulls from folk art, her ancestors' journey, and our need for maternal love in times of strife.
Stage Review

MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh

Charles Lewis III -
In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.
Music

Live Shots: The National broke free from stage, sang from among the sad dads at Greek Theatre

Jon Bauer and Patty Riek -
Vocalist Matt Berninger led the emotive group through a boundless, buoyant and nearly two-hour set that probed the tragedies of middle-age.

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