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Wednesday, November 27, 2024

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Tagged with: ACT

A (too) modest housing bond, the impacts of APEC security measures …

... and what's headed for the March ballot? That's The Agenda for Oct. 22-29

Tanya Donelly of Belly: ‘You can’t see the continuum until emerging from the river’

The alternative rock hero speaks about making '90s-defining albums—and what it was like for women in the industry

In Justin Yoon’s art, melancholy queer nostalgia sports gleaming blue pecs

A world where martinis, romance, and cigarettes in the movie theater rule.

Singing the insanity of the US healthcare system

Big Pharma spends a fortune on ads— but hardly anyone can figure out how much the medications really cost (and fewer can afford them).

Fake, misleading news and images on Twitter—and here at home

No, Dean Preston did not resign. Plus: The eviction "scarlet letter," Uber's role in SF taxis, and the mayor's dangerous housing policy is back again. That's The Agenda for Oct. 15-22

Trained in 18th-century Indian technique, Rupy C. Tut paints women facing today’s challenges

Burnished works on hemp paper honor self-reflection, even amid global tragedy.

Arts Forecast: Civic Center to be flooded with drag queens, fabulously

Join 'The Show.' Plus: How Weird, Bearrison, APAture, Kal Penn, Dreamers' Circus, 111 Minna turns 30, more to do

WTAF is up with Newsom? And why is it so hard to get SF police reports?

Vetoes of a series of progressive reforms show the guv is thinking about Iowa 2028, not California today. Pus: A hearing on police data. That's The Agenda for Oct. 8-15

‘Chasing the perfect show’: Rickshaw Stop turns 20 with a mega-slate of great gigs

Stalwart indie venue celebrates two decades of local love—and pushing up-and-comers into the big-time.

Ana Jotta’s ‘Never the Less’: Drawing in many senses of the word

At Wattis, the longtime Portuguese artist's first US show is an exhilarating peek into her work, rife with references and wordplay