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Saturday, July 12, 2025

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Tagged with: California

Haney’s victory does not mean progressive candidates have to move to the right

The entire local media narrative is wrong, again. The real issue is why none of the local reporters every question the fantasy of the Yimby narrative.

He was robbed of his life’s work—but rapper Mani Draper transcends with new ‘Communion’

'Everybody needs grace,' says Draper, whose latest is a fusion of lyrical California soul and verses like modern-day hymns.

Good Taste: The fun way to fight food waste

New restaurant Shuggie’s Trash Pie & Natural Wine turns scraps into tempting snacks. Plus: local food rescue and an app for buying excess

SFFILM fest brings news of the world, from Ukraine terror to volcanic eruptions of love

Llama-herding Bolivian elders, poisoned Russian dissident, little shell with shoes on, Afrofuturistic 'Neptune' trip, more at 65th edition

Under the Stars: Outside Lands lineup’s out—with some love for the home team

Plus: Sol Blume fest celebrates Black women artists, Space Ghost's 'Private Paradise,' Oakland Weekender, Linda Lindas, more

It’s Election Day Tuesday. The supes districts lines are still not finished.

Plus: Are the cops doing their job, and do they really need more money? That's The Agenda for April 18-24

Stern Grove to Pier 39: Time to gear up for free music season (plus a little juggling)

What's better in the sunshine (fog-willing) than some gratis entertainment and a vibing crowd?

Rock legend Pete Sears of Moonalice on Jimi, Grace, Jerry, and hitting that psychedelic groove

'You just go for it—and that’s when the roof gets lifted off places,' says the bassist-keyboardist, who's still going strong

Good Taste: Bay Area chefs cook to fundraise for Ukraine

Cooking classes, confections—even a Ukrainian burrito—help raise money for World Central Kitchen and other relief efforts.

Screen Grabs: Green Film Fest regenerates with a ’70s sci-fi classic

A new version of the fest springs up around Earth Day. Plus: two very different Aussie flicks and 'All the Old Knives' reviewed