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Friday, April 19, 2024

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Tagged with: Detroit

News + Politics

The continual violence faced by Asian communities and women of color

Haemin Cho -
There are so many things wrong with this murder spree, the bizarrely apologetic reaction of the sheriffs, and the ensuing media narratives about this hate crime.
Labor

The push for $15 an hour

Garrett Leahy -
Local demonstration joins national movement calling on senators to support increase in minimum wage.
Lit

Literary lion Ferlinghetti exits, but his community legacy roars on

Marke B. -
Thoughts on Lawrence's passing—and how his heroic drive still resonates in SF, even now.
Music

Everything played: Cue the 20th anniversary re-release of J Dilla’s ‘Welcome 2 Detroit’

John-Paul Shiver -
The wizard producer changed hip-hop several times over before his early death, and we're all still catching up.
Music

New Music: 13 terrific-sounding releases on our list right now

John-Paul Shiver -
Madlib, Arlo Parks, The Weather Station, J-Dilla, more recent and forthcoming releases that shine up 2021.
Foreign Correspondent

Foreign Correspondent: Battle lines drawn on ending Yemen War

Reese Erlich -
The Biden Administration has a chance to undo a disastrous label and open the door for peace.
Music

Albums of the Year 2020: Wild spirits helped us hold tightly onto humanity

John-Paul Shiver -
From police brutality call-outs to a new century gospel, artists still wrung beauty and inspiration from a hard year
Music

New Music: Yeah, we know it’s Christmas—here’s 4 new sounds to carry you through the schmaltz

John-Paul Shiver -
The latest project from SF's own Bezier, Bahamadia takes instrumental hip-hop to its limits, and Jessy Lanza's new remix release packs a surprising punch.
Music

Out of the Crate: Deluxe reissues offer fond looks back

John-Paul Shiver -
Staple Singers, Joni Mitchell, Neil Young, J Dilla, Paul Weller, more slide into holiday season with big-time packages
Music

An Oakland Black Jazz reissue is a revelation—and comes with questions

John-Paul Shiver -
A Black-empowering label's catalog from the 1970s is re-released. Should Black people helm its return?
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