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Sunday, November 17, 2024
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48 hills
Independent San Francisco News + Culture
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Tagged with:
Harlem
Onstage
The night the Cockettes finally took Manhattan
Dan Karkoska
-
October 2, 2023
51 years after an infamously disastrous stage debut, SF's legendary bawdy performance troupe returned to conquer
Movies
Suck on this: The eviction-fueled, Web 1.0 dykesploitation of ‘Sugar High Glitter City’ returns
Caitlin Donohue
-
August 8, 2023
Directors of iconic 2001 lesbian ensemble film reflect on the eve of its SF PornFilmFestival screenings.
Music
That big, bold, brassy sound is coming from Melba’s Kitchen
Lou Fancher
-
June 15, 2023
Appearing at Yoshi's, the 14-piece all-woman jazz ensemble celebrates 20th century Black trailblazer Melba Liston
Music
Rejoice, Bay Area freak legend Sly Stone is putting out a memoir
John-Paul Shiver
-
March 29, 2023
The rock-funk star never stopped being part of the zeitgeist—just asked Moor Mother.
Environment
This land is whose land?
Tom Molanphy
-
March 13, 2023
The developer and the city insist the Hunters Point Shipyard is safe for development. There's a lot of data that says otherwise. Part III of a series.
Environment
The Hunters Point Shipyard: Art survives amid toxic waste
Tom Molanphy
-
March 5, 2023
Part II: As artists move into the former base, the level of contamination reaches the point where 'if it can't be cleaned, stay the hell out.'
Environment
The tragic toxic legacy of the Hunters Point Naval Shipyard
Tom Molanphy
-
March 1, 2023
Aided by a USC fellowship, reporter Tom Molanphy and 48hills dug into the overwhelming history of data concerning the Hunters Point Naval Shipyard, which...
News + Politics
Why is Breed resisting a life-saving program that faces no real legal or financial obstacles?
Tim Redmond
-
January 11, 2023
Safe consumption sites work in New York, stunning testimony at a hearing shows. Yet SF is putting on the brakes.
Art
‘What might the world look like?’: Displaying the breadth of Faith Ringgold’s art and life
Emily Wilson
-
October 3, 2022
Curator Janna Keegan speaks about the 91-year-old artist-activist's breathtaking retrospective at the de Young.
Arts + Culture
At Cal Shakes, a ‘Lear’ set adrift in Black San Francisco
Charles Lewis III
-
September 28, 2022
Marcus Gardley's play moves Shakespeare's royal tragedy to the Fillmore in 1969, with much pontificating.
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