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Sunday, November 17, 2024

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Tagged with: Harlem

People protested peacefully — and things got worse

Look these damn people tearing up their community...burning shit... what does all this rioting accomplish? I’m not sure -- but when people were kicking up...

‘Change the dynamics’: Dawoud Bey on photography, place, and history

On February 15, the San Francisco Museum of Modern Art opened An American Project, a retrospective, of the work of multi-award-winning photographer and teacher...

Electrifying art of Black Power in ‘Soul of a Nation’

Soul of a Nation: Art in the Age of Black Power 1963–1983 was organized by London’s Tate Museum and traveled to Arkansas, New York,...

As Afrobeat heroes Antibalas arrive, recalling a classic track

When Brooklyn's Antibalas—widely renowned as one of America's fiercest live Afrobeat bands—takes over The Bay for three gigs this weekend (Fri/4 and Sun/16 at The Independent...

Arts Forecast: Drag Queens on Ice, Burning Man: The Musical, more

Blades will slice, crystals will fly, Mariah will be Careyed up to the high heavens. OK, it's not as dramatic as all that—I wish—but...

Screen Grabs: A feast of docs and dancing

It’s a big week for non-fiction cinema, the main event being SFFilm’s fifth annual Doc Stories, which brings together several of the year’s most...

Joan Jett Blakk for President, perpetually!

“Hunny, I cannot tell you, it’s so weird being history.” Terence Alan Smith, aka Joan Jett Blakk, is over at my apartment for lunch, and...

Vanessa Williams on her fearless Frameline ‘Luv Tale’

Professional growth was always critical for actress Vanessa Williams. Going from supporting roles like gun moll Keisha in 1991’s crime thriller New Jack City...

Hopes, fears, dreams, and ‘The Last Black Man in San Francisco’

Two African American dreamers, Jimmie (first-time actor Jimmie Fails) and Mont (Jonathan Majors) are struggling to survive in the unforgiving reality of the City...

Screen Grabs: Last Black Man in San Francisco, Mexico’s Golden Age ….

SCREEN GRABS In addition to SF Cinematheque’s annual Crossroads showcase for experimental work at SFMOMA (see Jesse Hawthorne Ficks' preview this week) and the continuation...