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Wednesday, February 12, 2025

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Tagged with: Mexico

Movies

In a time of attacks, Frameline46 brings LGBTQ+ curiosity and joy

Dennis Harvey -
10 picks, plus our in-depth guide to the huge queer film fest, from International Male flamboyance to butch Georgian drama
Onstage

Romeo’s a woman and Shakespeare’s en español: New version of Bard takes Cal Shakes

Emily Wilson -
Cast and crew revel in immediacy 'Romeo y Juliet' finds with younger audiences.
Opinion

From here to Cuba: Defying Biden, the Bay Area connects to island nation

Mark Ginsburg and David Brubaker -
The Summit of the Americas has disinvited Cuba. We went there to show solidarity and tell the story missing from the corporate media.
Movies

Screen Grabs: DocFest’s local focus includes Jeff Adachi, Hyphy, Aquarius Records

Dennis Harvey -
Our guide to the 21st bonanza. Plus: Castro Theatre's 100th birthday. a 'lesbian El Topo,' and the adult voyage of Bella Cherry
News + Politics

The morning-after drill

Laura Fraser -
I've been writing about the threat to Roe v Wade for 35 years. I never thought this would happen. Here's what we need to do now.
Music

Meet the powerhouse who keeps Kronos Quartet ticking

Marke B. -
Janet Cowperthwaite's wild 40 years managing the beloved SF players will be honored at Kronos Fest—with a clapping song.
Music

Under the Stars: Molly House, Monophonics, more artists to support directly this week

John-Paul Shiver -
Ghost Funk Orchestra live and a passel of tasty Bandcamp Friday faves from Brian Jackson, MXKA, RGL, more
Screen Grabs

Screen Grabs: ‘Who We Are’ lays out just how much racial justice has stalled

Dennis Harvey -
Plus: Poetic 'Why is We Americans,' listless 'Sundown,' rousing 'The Conductor'—and 'Guess Who's Coming to Dinner,' too.
Movies

Ficks’ Picks Epic List: Our favorite films of 2021 (or so)

Jesse Hawthorne Ficks -
A mega-countdown of recommended movies, videos, and even double features recently released
Screen Grabs

Screen Grabs: 100 years ago, Hollywood saw its then-biggest ‘Event’

Dennis Harvey -
When the Gishes met Griffith, an overblown epic was born. Plus: A QAnon-Epstein-satanic horror? You bet.
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