ONSTAGE Ten years ago, Rob Melrose, who founded the Tenderloin’s Cutting Ball Theatre with his wife Paige Rogers, translated and directed Eugene Ionesco’s absurdist...
Plagued by site issues, limited construction time, a surplus of attendees, heavy traffic delays, inclement weather conditions, a scarcity of food and medical supplies,...
SCREEN GRABS If you’re not busy this week with CAAM (see our preview here), there’s a competing mini-festival of sorts which overlaps with it just...
ONSTAGE Dmitri Shostakovich’s music isn’t typical for a ballet. That’s because of shifts in the tone and tempo, says Sasha De Sola, a principle dancer...
ONSTAGE If you disregard the period setting, squint at the pastel backdrops and blur out the sumptuous jewel-toned dresses, Kate Hamill’s adaptation of Vanity...