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Thursday, July 17, 2025

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Tagged with: Theatre

When Hunter Thompson worked for his arch-enemy, the Hearst Corporation

The legendary Gonzo journalist hated the big corporate empire—but spent years working for it. That's a key part of local media history.

Review: In ‘Interlude,’ swept back to Kansas by COVID

Harrison David Rivers' intriguing play explores the frustrations of sheltering in place in your parents' home—especially when you're gay and Black.

Screen Grabs: ‘Dune’ and ‘French Dispatch’ finally arrive. Do they live up to the hype?

At least we get a double dose of Timothée. Plus: The French Have a Name For It, 'No Future,' more new movies

Arts Forecast: SF International Arts Fest, Litcrawl, Lumpialooza, Bearrison…

A burlesque Prince tribute, a round of queer horror, Mattilda Sycamore Bernstein, and more great events this week.

‘Jesus Christ Superstar’ resurrects big show season, but lacks divine camp

Andrew Lloyd Webber's 50-year-old musical needs to lean into the cheese to work; here it barely rises again

How Todd Haynes captured The Velvet Underground’s transgressive impact

New doc's director speaks about the personal and cultural shockwave of the seminal '60s band.

Review: In tackling white patriarchy, ‘The Dope Elf’ erodes life-fiction boundaries

Asher Hartman's experimental theater work at The Lab used planned messiness to provoke questions about the nature of the stage

An epic return to dance with Christy Funsch’s 12-hour ‘EPOCH’

The "devotional" choreographer looks back at 20-years of quiet yet intense work for a daylong dance immersion.

Under the Stars: Fugees return, SFJAZZ reopens, Balboa Theatre goes live

Plus: A groovy set of dub remixes, singer Razteria's electronic turn, Remi Wolf, and a NYE party dance fans should jump on.

On 50th anniversary, the Residents provoke ‘n roll at Castro Theatre

The storied experimental group showed why its imprint has been so lasting, troubling imagery and all.