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Tuesday, November 26, 2024

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Arts + CultureCulture

Culture

Food & Drink

Good Taste: Pho truffles and lobster white? The Craft Chocolate Experience stunned

Tamara Palmer -
Candymakers brought adventurous flavors to international show at the Palace of Fine Arts.
Music

Live Shots: Detroit rapper Danny Brown got Regency Ballroom to ‘Dip’

D.A. Mission -
Magnetic performer pulled out classics as well as collabs (and an anti-gentrification screed) from two recent albums.
Music

UK R&B superstar Craig David: ‘San Francisco is always full of love and energy’

Joshua Rotter -
Kicking off his '7 Days Commitment Tour' here, the heartthrob hitmaker has a different eye on romance.
Movies

Screen Grabs: Chasing one of the Swinging Sixties’ most infamous ‘It Girls’

Dennis Harvey -
Plus: Doclands 2024, Johnny Depp's French, Japanese reality, worthwhile 'Nowhere Special,' Free Palestine, more movies
Onstage

That’s a ‘Bitch Slap!’ D’Arcy Drollinger’s top 5 over-the-top TV moments

Marke B. -
Her Oasis drag show lampoons the catfights and hysterics of nighttime soaps—and it's rooted in deep genre love.
Stage Review

‘A Strange Loop’ takes too much glee in the trauma of its Black queer lead

Charles Lewis III -
Despite talented cast, catchy tunes, and a show-stopping number, Broadway sensation comes off as torture porn.
Music

‘Fairy godmother of trans country artists’ Shawna Virago rounds up vivid new tales

Joshua Rotter -
On 'Blood in her Dreams,' the local punky-tonk legend tells the stories of outsiders in today's beige-tinted SF.
Onstage

Unmasking a modern predator through dance in ‘The Soul Catcher’

Joshua Rotter -
Annika B. Lewis and Kassandra Production dissect a violent relationship at SF International Arts Fest
Music

Live Shots: Jigs galore, maypole madness at Céilí on the Lake’s Beltane celebration

Jon Bauer and Patty Riek -
Waterside Gaelic fête declares spring has sprung—and now it's time to shear the sheep.
Onstage

‘¡Golondrina!’ flies on the wings of Latinx California music history

Lou Fancher -
Liliana Herrera's 'funkloric' play at Brava views migration, and its criminalization, through a sonic kaleidoscope.

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