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Wednesday, November 27, 2024

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Culture

Screen Grabs: A couple of powerful mothers

'Shayda' portrays life in a women's shelter for Iranian mother and child, 'Cabrini' highlights a nun on a mission.

Good Taste: Made from scratch? New brunch spot offers novelty in pre-packaged era

Early to Rise gets back to basics—don't skip the tangerine pudding and apple butter French toast.

Oscar who, again? Ficks’ Picks fave flicks from last year, part two

Japan's rampaging reptile shares space with 'Rotting in the Sun'—and our critic's pick for 2023's most unfairly maligned movie.

Eviction breeds guerrillas as the people fight back in ‘Dirty White Teslas Make Me Sad’

Ashley Smiley's world premiere at Magic Theatre presses hot button issues through the lives of Black San Franciscans.

‘Look Me in the Eyes’ confronts the phantasmagoria of Kurdish history

At ICA SF, Hayv Kahraman employs haunting metaphors, conveying a surreal mythology of female figures.

Andrew Wilson’s ‘Torn Asunder’ sees Black men in new light, two ways at once

Once a nude model, a photographer imparts the freedom he once felt to others, in show at Johnathan Carver Moore.

Oscar who? Ficks’ Picks fave flicks from last year, part one

Oakland pride 'Earth Mama,' 'Asteroid City,' and the BTS of 'Nope' are among films walking away with our statuettes.

Under the Stars: Vinyl Williams brought some trippy San Francisco love

Plus: Cor. Ece's worthy UK house, Sun Ra meets the Outer Space Visual Communicator, Combo Tezeta takes Eli's, more music

The Algorithm speaks! BD Wong on the power of ‘Big Data’

'I love manipulating the molecules in the air and changing the tone of the moment,' actor says of A.C.T. role

Rosebud art gallery blossoms, helping re-queer the TL and Polk Gulch

'Every time the press declares a 'doom loop,' it falls on queers and artists to think outside the box,' say co-founders.

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