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Tuesday, June 3, 2025

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Dance

SF Carnaval isn’t going anywhere

Powered by 400 volunteers, beloved festival and parade (since 1979!) sets its sights this year on honoring rhythms of the African diaspora.

AXIS Dance Company and Dr. Catie Cuan on the high-tech art of ‘choreorobotics’

Will it take a dancer to improve our relationship with machines?

Bay Area arts organizations reel, vow to survive NEA grant cancellations

Agency's new 'priorities' include supporting communities of color, despite defunding BIPOC-led organizations.

A Smuin season shaped by DJ playlists, sexy sculpture, drag queen fame

The SF company returns, enlisting the talents of Auguste Rodin, the Partridge Family, Queen, and Lady Camden.

After a shattering loss, Alvin Ailey danced to revelatory heights at Zellerbach

The company's 57th annual Berkeley run was dedicated to legendary dancer-director Judith Jamison, and polished off some true gems.

It’s a maze, it’s a Minotaur, it’s a metaphor, it’s… ‘boycow’

At Counterpulse, two dancers charge a labyrinthian trope—each in their own way, simultaneously (milk buckets included)

Sean Dorsey Dance’s divine work turns 20

Retrospective program celebrates trans choreography at a time when its "beautiful and juicy" healing is more needed than ever.

Queer American Songbook to Ukrainian trans theater, SF International Arts Festival won’t play it straight

Venerable fest doubles down at unlikely, if urgent moment for convening global LGBTQ+ creatives.

‘A Bridge to Now’ evokes generational complexities of Peruvian Chinese communities

Choreography unfurls against tapestry of modern-day oral testimonies, visual projections—and 400 pounds of rice.

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Resurrecting ‘Frankenstein,’ after its creator’s tragic death

Liam Scarlett's intricate gothic epic returns to SF Ballet, with principals determined to preserve its 'warmth and heart.'

Pas de deux: Two Black choreography giants talk decades of Bay Area dance

Robert Moses and Ramón Ramos Alayo's companies are approaching major anniversaries in an era of artistic urgency.

60 years in, Twyla Tharp’s legendary company still shone like a diamond

'I can still push': 84-year-old choreographer's Cal Performances jubilee program glittered with Glass and Beethoven.

Miguel Gutierrez choreographs for the end of the world

'What will happen to us?' asks unfiltered artist with deep San Francisco roots in latest work, 'Super Nothing.'

Drama Masks: Time can work against us all

'Back to the Future: The Musical,' 'The Heart Sellers' at Aurora, SF Ballet's 'Cool Britannia,' and 'Froggy' at Center Rep, reviewed.

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Drama Masks: Voices of incarcerated women take center stage at YBCA

Art exhibit 'The Only Door I Can Open' and Flyaway Productions' 'I Give You My Sorrows' speak out for prisoners' rights.

ODC School dance classes are for everybody!

Choose from an electrifying range of classes from the Best of the Bay winner—your first class is only $12!

Drama Masks: Two nights at the Ballet, one hot and one cold

Weathering scoffs and tiffs at SF Ballet's Opening Night extravaganza, soaking in the provocative joys of 'Manon'

At 50, Dance Brigade invokes ‘A Woman’s Song for Peace’

'This tour was born from the glory days of women's art, when we were confident we could make a difference,' says founder Krissy Keefer.

Pilobolus brings 50+ years of light, heat, and the joy of connection to Berkeley

'We work more like a lantern than a laser beam,' says artistic director Matt Kent of the welcoming company.

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