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Friday, April 26, 2024

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Tagged with: berkeley

There’s a ‘Mad God’ at the Drunken Film Fest

Clocking in at under an hour, Mad God, a highly experimental stop-motion film about an assassin who descends into a scary subterranean dystopia—full of...

Review: ACT’s ‘Top Girls’ spotlights ladies of the ’80s (and 800s)

With Cloud Nine in 1979 and Top Girls (through October 13 at ACT) three years later, Caryl Churchill shot to the front ranks of living...

An open letter to Marc Benioff about homelessness

Dear Marc Benioff: A few months ago you announced the launch of a $30 million study of homelessness: Benioff Homelessness and Housing initiative . As you launch...

Screen Grabs: All the latest from Iran

Fall is a busy time for Bay Area screens beyond the multiplex, and this week is no exception. There are no less than three...

Enola Gay and the witchy origin of the first AIDS protest

Just around the crack of dawn on September 23, 1984, a handful of gay men gathered outside the gates of the Lawrence Livermore National...

Arts Forecast: Here come the Sisters

MUCH ADO ABOUT FOLSOM Folsom Street Fair is two Sundays away (watch for my party guide), and what better way could organizers seize the news...

Watching movies—and coping and connecting—in ‘The Flick’

 Jon Tracy says the first time he read Annie Baker’s play, The Flick, (which he is directing at Shotgun Players, through October 6) it...

Screen Grabs: Native American Reelism, Bay Area Thrash Metal …

SCREEN GRABS The ever-lengthening annual period known as “awards season” arguably starts this Friday with the arrival of The Goldfinch, which premiered at the Toronto...

SF’s PG&E buyout makes political — and economic — sense

It has been, my former colleague Savannah Blackwell reminds me, 50 years (and a few months) since the Bay Guardian first published a story...

‘Exit Strategy’: Can they save a crumbling high school?

Adam Niemann has a monologue in Exit Strategy at the Aurora Theatre (Through September 29) that he "feels like going down on a ramp...