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Thursday, April 3, 2025

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Art

Review: Sydney Cain’s gentle erasures summon omnipotent ancestral lineages

In 'Dust to Dust' at Rena Bransten, charcoal, graphite, and powdered metals evoke Black legacies and genealogical power.

Review: An alchemical conversation of brushstrokes at Cushion Works

Etel Adnan and Lynn Marie Kirby's 'THE WEATHER IS NOWADAYS CRAZY' at Cushion Works

Oakland artist finds her cadence in the weather of emotions

“I’ve been in a different octave my whole life," Ruth Boerefyn says. Her installations are proof.

Wild herbs stir up mechanisms of oppression in ‘Foragers’

Jumana Manna's video installation at Berkeley Art Museum follow Palestinians as they gather indigenous plants—an illegal occupation.

Painter Cannon Dill: ‘I almost have to beat the canvas like a drum’

The artist goes deep on his 'crunchy,' textural process: Check out his solo show at Oakland's pt. 2 Gallery.

The bright, strong magic of Joan Mitchell

A grand SFMOMA retrospective—ending soon—brings all the brilliance and range of the abstract painter to the fore.

Something’s cooking at Balboa Theatre (besides the popcorn)

The cinema has become a hotspot indie band incubator, with live shows and other arts events.

Review: ‘The Art of Banksy’ is pure bourgeois comfort food

Come for the promise of political provocation—stay for a 'Kissing Coppers' cocktail?

Review: In ‘Mothership,’ Afrofuturism blasts off from myriad launch pads

A global roster of artists claims space for the unfixed, fragmented, and hybridized at OMCA.

Hallucinogenic tableaux vivants, from a North Berkeley backyard

Painter Alexander Kori Girard explores the wisdom of plants through modern cuneiform.

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