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Friday, March 21, 2025

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The Agenda

Prop. F won—but SEIU is ready to go on strike to get rid of it

Tim Redmond -
Plus: How will SF find $7 billion to prepare the waterfront for climate change? And what does 'progressive' mean these days? That's The Agenda for March 10-17
Music

Famed fingerstyle guitarist Brian Gore steps up to the mic

Marke B. -
Founder of International Guitar Night finds his voice on heartfelt new album 'Seek the Love You're Yearning'
Campaign Trail

Today’s ballot totals: the remaining votes are breaking more progressive

Tim Redmond -
The conservatives are still dominating. But it's not a huge mandate for Mayor London Breed.
Music Review

Noise Pop report: Hailu Mergia shot Ethiopian jazz into stratosphere for adoring GAMH crowd

John-Paul Shiver -
The septuagenarian keyboardist was all but forgotten, driving a DC cab, but he's making up for lost time with fire.
Movies

Screen Grabs: A couple of powerful mothers

Dennis Harvey -
'Shayda' portrays life in a women's shelter for Iranian mother and child, 'Cabrini' highlights a nun on a mission.
Food & Drink

Good Taste: Made from scratch? New brunch spot offers novelty in pre-packaged era

Tamara Palmer -
Early to Rise gets back to basics—don't skip the tangerine pudding and apple butter French toast.
News + Politics

Declaring the end of progressive San Francisco is a bit premature

Tim Redmond -
Only 20 percent of the votes have been counted. And we have heard this story before.
Movies

Oscar who, again? Ficks’ Picks fave flicks from last year, part two

Jesse Hawthorne Ficks -
Japan's rampaging reptile shares space with 'Rotting in the Sun'—and our critic's pick for 2023's most unfairly maligned movie.
Stage Review

Eviction breeds guerrillas as the people fight back in ‘Dirty White Teslas Make Me Sad’

Charles Lewis III -
Ashley Smiley's world premiere at Magic Theatre presses hot button issues through the lives of Black San Franciscans.
Art Review

‘Look Me in the Eyes’ confronts the phantasmagoria of Kurdish history

Genevieve Quick -
At ICA SF, Hayv Kahraman employs haunting metaphors, conveying a surreal mythology of female figures.

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