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Sunday, April 28, 2024

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Opinion

It’s Valentine’s Day. I was ghosted by my ‘partner’ of eight years

Z.P Moganum -
Uber and Lyft call us "partners,' not employees. We're sick of the way they treat us—which is why Gig Workers Rising matters.
Food & Drink

Good Taste: Falling in love with LA’s food scene

Tamara Palmer -
An all-pink taqueria, a punk cafe in a vintage arcade, a restaurant in a dispensary and more spots that spark joy.
Movies

What we saw at Sundance 2024, part 3: Bring on the docs

Jesse Hawthorne Ficks -
Satanists verité, AI Brian Eno, Will Ferrell road trip, dueling rock bands, a Navajo Nation 'Oppenheimer' counterpoint, more
Culture

Watch: Lovers Lane overflowed with community joy in the Mission

Andrew Brobst -
Check out last Saturday's heartwarming celebration of art, music, food, crafts, culture, and neighborhood spirit
Stage Review

At SF Ballet, two very different sides of ‘British Icons’

Charles Lewis III -
Notoriously difficult, dissimilar pieces by Kenneth MacMillan and Frederick Ashton showed the company's versatility
Campaign Trail

Now the Big Tech money is getting ridiculous

Tim Redmond -
Billionaires put up $730,000 for a ballot measure that will have no impact on anyone's life—and not a penny for an affordable housing measure that would benefit everyone.
Music

Under the Stars: The Dead shall come to Vegas, riding a 4-D Sphere

John-Paul Shiver -
Plus: Gift of Gab tribute, 'Jolene' turns 50, Kim Gordon's packing list, Afro-techno from Bucharest, more music news
Movies

What we saw at Sundance 2024, part two: Oh, the drama!

Jesse Hawthorne Ficks -
Our critic takes in River Gallo's intersex love saga 'Ponyboi', Sean Wang's Fremont autobiographical tale, and much more.
Stage Review

It’s AI versus a good bowl of pho in ‘My Home on the Moon’

Charles Lewis III -
Minna Lee's Asian-focused queer sci-fi love story at SF Playhouse plumbs all-too-human depths of the uncanny valley.
Art

Punk roots meet Black Panthers at retooled Studio Fallout in North Beach

Dorothy Odonnell -
Gallery connects countercultures with a display of radical artwork by BPP's Malik Edwards and Katherine Campbell.

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