Sponsored link
Wednesday, April 24, 2024

Sponsored link

Arts + CultureYou've never seen (or heard) 'Showgirls' like this

You’ve never seen (or heard) ‘Showgirls’ like this

Drag twist on camp classic makes "Showgirls: The Musical" a topless, bottomless delight

ONSTAGE  Recognized as an instant camp classic — as well as a commercial disaster and artistic WTF — upon its initial 1995 release, Paul Verhoeven’s Showgirls has been an annual local midnight-movie event for drag queen of darkness Peaches Christ nearly as long. (Peaches’ annual “Night of 1,000 Showgirls” event was notorious for drag queen lap dances and lots of buttered popcorn naughtiness.)

This year, however, she’s forgoing the usual film-and-stage spectacular combo for the West Coast premiere of the 2013 off-off-Broadway musical hit — “Showgirls: The Musical” (through Sat/27) — by composer-writer duo Bob and Tobly McSmith.

Peaches Christ and April Kidwell: Friends, rivals, duettists.
Peaches Christ and April Kidwell: Friends, rivals, duettists. Photos by Sloane Kanter

Peaches aka Joshua Grannell directs, co-producers and co-stars in this dead-on spoof of a movie that seemingly couldn’t be made any more ridiculous than it already is. April Kidwell reprises her awe-inspiring performance as Nomi Malone, the mysterious but extremely high-strung young drifter who hits Vegas with a vengeance, her DIY “incredible” dance skills hastening a transition from stripclub pole-dancing to the a legit revue’s chorus line.

Among those she claws over in her ascent to glory are dance diva Cristal Connors (a towering Peaches in Gina Gershon’s role) and casino honcho Kyle MacLachlan (Tim Wagner as… well, you know). With original song interludes like “Don’t Lick That Pole, Girl,” “You’re A Whore, Darlin,” and the inevitable “Fucking Underwater!,” The Musical doesn’t miss a trick in pumping up further the already uncomfortably larger-than-life most memorable aspects of its inspirational source.

Peaches rises from the infamous volcano.
Peaches rises from the infamous Stardust volcano.  Photos by Sloane Kanter

Production values are pointedly tacky, energy alarmingly high; the only real debit here is somewhat dicey sound that buries some of the McSmiths’ clever lyrics. But most of what’s here comes through loud and hilariously clear, from Kidwell’s high-kicking expressions of cosmic angst to Bobby “Barnaby” Bryce as a minor film character who here gets an unforgettable few minutes’ spotlight as the most bitchily frustrated gay male dance captain ever.

If you’ve ever seen, loved and/or been horrified by Showgirls proper, this live sendup provides a priceless last word on the matter.

“SHOWGIRLS: THE MUSICAL”
Wed-Sat 8 pm through Aug. 27, $32-45
Victoria Theater, SF
www.peacheschrist.com

48 Hills welcomes comments in the form of letters to the editor, which you can submit here. We also invite you to join the conversation on our Facebook, Twitter, and Instagram. 

Sponsored link

Featured

After ‘painful’ preparation, ‘Blue Door’ opens onto Black men’s complex life in US

Director Darryl V. Jones on creating the soundtrack of generational haunting at Aurora Theatre Company

Matmos drops in for tea and jockstraps

Radical sound-collage duo dish on roots in SF's wild '90s nightlife scene as debut 'In Lo-Fidelity' hits 30.

Good Taste: Getting flaky at Smörgåsland

The pastry-stacked promise of IKEA’s new bakery and food hall in downtown SF.

More by this author

Screen Grabs: Berlin & Beyond &… Milli Vanilli?

The German-language film fest keeps broadening its borders. Plus: Ken Loach's finale 'Old Oak' and 'Dig! XX'

Screen Grabs: Strap yourself in for a harrowing ‘Civil War’

Plus: 'The Beast,' 'The People's Joker,' 'Arcadian,' 'Do Not Expect Too Much from the End of the World,' more new movies

Among Silent Film Fest’s gems: A movie shown for the first time in 101 years

Plus: Two-tone Technicolor Douglas Fairbanks, junior Sherlock Buster Keaton, Yasujiro Ozu's ode to childhood, more
Sponsored link

You might also likeRELATED