Sponsored link
Thursday, November 21, 2024

Sponsored link

Best of the BayBest of the Bay 2024 Editors' Pick: Brava! for...

Best of the Bay 2024 Editors’ Pick: Brava! for Women in the Arts

Since 1986, the Mission powerhouse has been bringing a necessary, diverse womens' perspective to SF's theater scene.

48 Hills editors and writers are weighing in with their favorite things in the Bay Area as part of our 50th Best of the Bay. Tell us what you love in the Best of the Bay 2024 Readers’ Poll!

I write these words having just agreed to attend opening night for the season premiere show from La Lengua. That’s the SF-based Latine company that frequently produces Spanish-language theater smack-dab in the middle of a primarily English speaking market. It’s produced some of the best shows I’ve seen in recent years. With an emphasis on stories by, about, and (not exclusively) for Latinas, it makes sense that the company usually performs in the Mission District’s Brava! for Women in the Arts. That Mission-based company and venue that’s been adding a diverse woman’s perspective to SF’s theater scene since 1986.

That’s the good news.

Liliana Herrera in ‘¡Golondrina!’ at Brava! Photo by Bree Doan

The bad news is that, like many vital independent theatres, Brava! is in danger of closing. Since early June, they’ve been holding a fundraiser to help keep the lights on an provide a vital space for marginalized theater, particularly theater with a femme vantage point. The past few years have seen the closure of so many similar spaces—EXIT Theatre, PianoFight, pretty soon Cutting Ball—that it’s easy to wonder if SF has any remaining theaters that aren’t BroadwaySF satellites. For every Stage Werx resurrected as Eclectic Theatre, there’s a black box closed forever.

But Brava! isn’t a black box. Sure, it has its tiny studio upstairs and storefront cabaret, but the main theater—formerly the York Theatre movie house from the 1920s—is a grand, 300-seat palace that once hosted vaudeville shows; the sort of venue indie artists only dream of performing in. I say that having done so myself as part of a 2021 show by BATCO, another PoC theatre company that frequently calls the Brava! Theatre home.

‘I, too, sing America’ played Brava! in 2022. Photo by Alexa “LexMex” Treviño

I was happy to reserve my place at La Lengua’s show because they’re a great company performing in a crucial venue. I have no qualms about encouraging others to do the same during Brava!’s ongoing fundraiser. It would be a shame for the next show there to be its last.

BRAVA! FOR WOMEN IN THE ARTS 2781 24th Street, SF. More info here.

48 Hills welcomes comments in the form of letters to the editor, which you can submit here. We also invite you to join the conversation on our Facebook, Twitter, and Instagram. 

Charles Lewis III
Charles Lewis III
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com

Sponsored link

Featured

A modest suggestion and an open letter: Lurie should hire Aaron Peskin

And Breed, too, why not? Buying off your opponents is a longtime strategy of plutocrats.

Letters to the editor: What to do about the Great Highway park

Should we just leave it to Mother Nature? Is this all a good start? Readers respond to our recent article.

Listening in 4-D: Ingenious ‘Polytempo Music’ spirals through virtual reality

Alameda composer Brian Baumbusch trained himself to code for interactive composition, which immerses listeners in his musical world.

More by this author

Drama Mask: ‘Matchbox Magic Flute’ is a mini-Mozart marvel

Our new theatre column reviews Mary Zimmerman's gateway opera, Sara Porkalob's wild 'Dragon Lady,' and a bewildering 'Ghost Quartet.'

Can’t they stay this way forever? Only if they bridge ‘The Gulf’

At New Conservatory, a toxic Southern-fried lesbian relationship tries to stay afloat through a Bayou fishing trip.

Two mighty giants of art go wall-to-wall in ‘The Contest’

Leonardo da Vinci vs. Michelangelo (with assists from Machiavelli) in Gary Graves' compelling drama at Berkeley City Club.
Sponsored link

You might also likeRELATED