Sponsored link
Friday, November 13, 2026

Sponsored link

Best of the Bay 2024 Editors’ Pick: Katya Smirnoff-Skyy

Stage queen serves polished pipes and pathos from Oasis to New Conservatory Theatre Center.

48 Hills editors and writers are weighing in with their favorite things in the Bay Area as part of our 50th Best of the Bay. See more Editors’ Picks here, and tell us what you love in the Best of the Bay 2024 Readers’ Poll!

Let’s be honest, folks: there’s no cordial way talk about favorite drag performers in this city. There may not be full-fledged, wig-pulling, eye-scratching cat fights, but stating your favorites will undoubtedly lead to some derision from followers of other Bay stars. This is a city where each and every single person has their own favorite local pizza, cocktail, and dog-walker—you think a discussion about favorite drag stars is gonna be restrained? You sweet summer child. As such, I won’t poke the hornet’s nest that is naming one’s favorite local drag performers (I have a few), but rather shine a well-deserved spotlight on one who has made theater-going a joy for the last few years.

Obviously, the queen in question is Katya Smirnoff-Skyy, the showtune-belting diva who pulls off all the subtle art and over-the-top entertainment of which drag is capable. Yes, the alter ego of J. Conrad Frank is a staple at Oasis—where she brought down the house in D’Arcy Drollinger’s soap opera satire Bitch Slap!—but Skyy has also become a welcome regular presence at the New Conservatory Theatre Center. If you’re going to hand pick a local talent for a role written by Charles Busch, you can’t go wrong with Katya.

But if you want to see Katya at her absolute best, you should have seen her earlier this year in Ray of Light’s production of Everybody’s Talking About Jamie. That’s when we saw our divine local diva put both her polished pipes and deep pathos to work in the role of British drag mentor Loco Chanelle. Acting as both surrogate father and fairy godmother, Skyy gave one of the year’s best performances as the dramatized version of the eponymous lead’s real-life mentor. It’s a performance that not only speaks to Skyy’s skills as an entertainer, but also to the fact that drag and “proper” theater are twin siblings of Dionysus. Her uniqueness is a reminder of why it’s so hard to pick a local drag front-runner. Select a favorite if you must, but don’t think them worlds apart.

KATYA SMIRNOFF-SKYY official website here.

Charles Lewis III
Charles Lewis III
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com

48 Hills welcomes comments in the form of letters to the editor, which you can submit here. We also invite you to join the conversation on our Facebook, Twitter, and Instagram. 

Sponsored link

Sponsored link
Sponsored link

Latest

‘Club Kid’ tracks a partier’s transformation—but there’s an actual kid in an actual club, too

Director-star Jordan Firstman on his lauded debut's influences, the exhaustion of self-centeredness, and his surprise child's mad DJ skills

Drama Masks: A breakneck ‘Marriage of Figaro’ that never lets up

SF Opera follows up Rossini's 'Barber of Seville' with Mozart's sequel to the story—and cranks the volume to 11.

Marina Safeway lawsuit will be a key test of the Wiener-Yimby agenda

Can a project with serious toxics issues get fast-track approval with no environmental review? The City Planning Dept. thinks so.

Move to San Francisco, Elon; we seem to love billionaires here

An open letter to the tech baron who failed to control the politics of Texas

You might also likeRELATED