Sponsored link
Sunday, November 17, 2024

Sponsored link

Arts + CultureMoviesNina Simone meets Claude Monet in Ja'Tovia Gary's 'The...

Nina Simone meets Claude Monet in Ja’Tovia Gary’s ‘The Giverny Document’

Highlighted in SFMOMA series of films made by women, 'Giverny' combines street interviews, animation, sound design, more

Gina Basso, manager of film at the San Francisco Museum of Modern Art, sees the “No Time to Rest!” series as a time to show some of the filmmakers she’s had her eye on for a while. One star of the five-part program of films by women that Basso curated with media arts curator Rudolf Frieling is Ja’Tovia Gary, whose work The Giverny Document (Single Channel) will be on view online Wed/9 through Dec. 16.

Basso says The Giverny Document is like nothing she’s seen before, combining archival footage, animation on celluloid, sound design, and direct cinema. At one point, Gary shows up in Claude Monet’s gardens in Givenchy. Another referential stand-out moment is when The Giverney Document uses footage of singer Nina Simone singing Morris Albert’s 1975 easy listening hit “Feelings.”  

Still from Ja’Tovia Gary’s ‘The Giverny Document (Single Channel)’ (2019)

“It struck me Ja’Tovia is doing what Nina Simone does when she does a cover, and transforms the song in a unique way,” Basso says. “She’s taking a cue from Nina Simone and transforming these images.”

The film also includes the filmmaker interviewing Black women in Harlem about if they feel safe in the world and in their bodies, in what Basso thinks is a sort of send up of Chronicle of a Summer by Jean Rouch and Edgar Morin.

“It’s a thrill to have this work involved,” Basso says. “[Gary is] an important voice. She’s a force.”

Other artists featured in the series include Eve Fowler, Jeanne C. Finley, Kelly Gallagher, and Lynn Hershman Leeson, whose film !Women Art Revolution will be online Dec. 16-22.  The series is part of the Feminist Art Coalition, which launched this fall at more than 100 art institutions across the United States. It was originally conceived by Berkeley Art Museum’s senior curator Apsara DiQuinzio and was inspired by the 2017 Women’s March, which took place the day after Donald Trump’s inauguration.

The FAC exhibitions were planned to coincide with the November election this year, but the schedule was scrambled due to the pandemic. 

Basso says she wants to use the museum’s platform to advocate for diverse voices. About a year ago, she and Frieling started talking about the series, and they chose its title to convey the urgency before the election. Originally, they had planned for live screenings with conversations and discussions in between, but now those screenings have moved online. 

THE GIVERNY DOCUMENT (SINGLE CHANNEL) is on view at the SFMoMA site Wed/9-Dec.16 as part of the “No Time to Rest!” film series.

48 Hills welcomes comments in the form of letters to the editor, which you can submit here. We also invite you to join the conversation on our FacebookTwitter, and Instagram

Emily Wilson
Emily Wilson
Emily Wilson lives in San Francisco. She has written for different outlets, including Smithsonian.com, The Daily Beast, Hyperallergic, Women’s Media Center, The Observer, Alta Journal, The San Francisco Chronicle, California Magazine, UC Santa Cruz Magazine, and SF Weekly. For many years, she taught adults getting their high school diplomas at City College of San Francisco. She hosts the short biweekly podcast Art Is Awesome.

Sponsored link

Featured

Good Taste: Bay Area holiday cooking advice classics

'Just put the f*cking turkey in the oven': time-honored techniques and local tutorials for festive meal planning.

Drama Mask: ‘Matchbox Magic Flute’ is a mini-Mozart marvel

Our new theatre column reviews Mary Zimmerman's gateway opera, Sara Porkalob's wild 'Dragon Lady,' and a bewildering 'Ghost Quartet.'

Screen Grabs: A small oasis of empathy and compassion

Jesse Eisenberg's 'A Real Pain' shines, Andrea Arnold's 'Bird' takes flight. Plus: dismantling the US press and poisoning Flint's water.

More by this author

At Chinatown’s first zine festival, DIY gems brought neighborhood together

Chinese Culture Center converted Ross Alley into a buzzing independent publisher's showcase full of local marvels.

A flowering of Filipino art reclaims the SoMa landscape

More than a dozen striking public artworks centered on Filipino history have popped up in the past year, from SOMA Pilipinas to SFMOMA.

A South African photographer captures colorful Tenderloin souls

Pieter Hugo dropped everything to wander the neighborhood for months, documenting the pathos and playfulness of its denizens.
Sponsored link

You might also likeRELATED