Sponsored link
Tuesday, July 8, 2025

Sponsored link

‘Black Powers: Reframing Hollywood’ at SFMOMA celebrates plucky cinematic classics

From 'Body and Soul' to 'Do the Right Thing,' the three-week series brings African American directors to the fore.

MOVIES We’re currently in a moment of black film director fierceness: Ryan Coogler’s Black Panther, Barry Jenkins’ Moonlight, Jordan Peele’s Get Out, and anything by Ava DuVernay grabbed America’s attention, while Boots Riley’s debut Sorry To Bother You (yay, Oakland!), Reinaldo Marcus Green’s Monsters and Men, and a raft of other works by African American directors ride up from the festival circuit through waves of acclaim. Spike Lee is still going strong (cannot wait to catch his film of Steppenwolf Theatre’s production of Antoinette Nwandu’s play “Pass Over”) and Lee Daniels is, too, although he’s moved into the realm of television, which is experiencing its own black golden age.  

It’s a great time to look back on the history of black directors who built the foundation for our blockbuster (and art house) age, and a three week Modern Cinema program at SFMOMA, presented with SFFilm, called “Black Powers: Reframing Hollywood,” (Thu/12-July 29) promises “a decades-spanning program exploring African American filmmakers navigating inside the Hollywood machine and operating outside its boundaries.” A fantastic re-introduction to some film classics (or opportunity to acquaint yourself with unfamiliar ones), the series features 28 films, some with the directors themselves presenting. 

Lee is here (with 1989’s Do the Right Thing, of course, the film that provided my wardrobe for years), as is Peele’s ingenious horror-deconstruction Get Out and Jenkins’ breakthrough, SF-based indie Medicine for Melancholy. But it’s a rare chance to see Oscar Micheaux’s 1925 boundary-breaking Body and Soul, James Burnett’s breathtaking 1978 mix of impressionism and social realism Killer of Sheep, Gordon Parks’ 1969 prairie epic The Learning Tree, Julie Dash’s sensual 1991 Gullah period tale Daughters of the Dust, Cheryl Dunye’s 1996 New Queer Cinema landmark Watermelon Woman, Kasi Lemmons’ hothouse Southern drama, and so many more on a big screen. 

It all starts tonight, Thu/12, with something that will tickle nightlife fans like me: cerebral audio experimentalist DJ Spooky aka paul D. Miller introduces Body and Soul. (Also for nightlife and music geeks: 1990 rave-up House Party plays Fri/20. Below are some more highlights — for the full program, click here.

“BLACK POWERS: REFRAMING HOLLYWOOD”
Thu/12-July 29
Phyllis Watts Theater, SFMOMA,
Tickets and more info here.

Marke B.
Marke B.
Marke Bieschke is the publisher and arts and culture editor of 48 Hills. He co-owns the Stud bar in SoMa. Reach him at marke (at) 48hills.org, follow @supermarke on Twitter.

48 Hills welcomes comments in the form of letters to the editor, which you can submit here. We also invite you to join the conversation on our Facebook, Twitter, and Instagram

Sponsored link

Sponsored link
Sponsored link

Latest

‘The most euphoric feeling’: Live Aid music legends look back 40 years on

As TV docuseries relives epic charitable concert, performers dish about wild moments before 2 billion fans—and backstage.

Opinion: Preserve the housing money—and stop the mayor’s power grab

The supes need to reject Lurie's plan to gut affordable housing money from Prop. C

Melding real with absurd, Tamera Avery’s paintings grapple with the world’s decay

Large canvases, bold colors, and youth culture's hopeful influence reflect 'the right and wrongness of today.'

Supes to vote on Billionaire Budget deal amid protests over housing money

Plus: A crackdown on RV parking that will make more families homeless, and will the Police Commission do a real national search for the next chief? That's The Agenda for July 6-13

You might also likeRELATED