Sponsored link
Friday, March 20, 2026

Sponsored link

San Francisco’s War on Poor People

By Tim Redmond

The federal War on Poverty is 50 years old, and a lot of the news media reports are calling it a failure: The poverty rate today is not much lower than it was when Lyndon Johnston started his famous social programs in 1964. But that’s something of a misleading statistic, suggesting that there’s nothing the federal government can do about poverty.

Look at the data in the chart here. The poverty rate in the US dropped pretty dramatically after 1964, from close to 20 percent to as low as my 11 percent in the mid-1970s. There were 35 million people living in poverty in the early 1960s; a decade later, after huge spending by the feds on housing, welfare, and urban development, that number was below 25 million.

In other words, the War on Poverty was working. Until the Age of Reagan.

After the Republicans cut taxes on the rich and decimated Great Society programs, both the poverty rate and the numbers of people in poverty started to rise again. Now, with the marginal tax rate less than half of what it was in 1970, and the federal budget for social programs that fight poverty reduced to a tiny fraction of what we spend on, say, wars, it’s no surprise that the gains this country made between 1964 and 1979 have vanished.

What failed wasn’t the War on Poverty; it was ending the War on Poverty.

At the same time, what hasn’t ended – and if anything, is increasing – is the War on Poor People in San Francisco. (more after the break)

Marke B.
Marke B.
Marke Bieschke is the publisher and arts and culture editor of 48 Hills. He co-owns the Stud bar in SoMa. Reach him at marke (at) 48hills.org, follow @supermarke on Twitter.

48 Hills welcomes comments in the form of letters to the editor, which you can submit here. We also invite you to join the conversation on our Facebook, Twitter, and Instagram

Sponsored link

Sponsored link

Latest

Lurie wants to be tough on crime—but won’t pay for the impacts on defendants

Public Defender's Office is a critical part of the legal system, and if it's underfunded, the mayor's strategy becomes radically unfair and illegal

Good Taste: Snap no photos, please!

A supper club highlighting Black and Brown chefs aims to make everyone feel welcome—and living in the moment.

For Iranian artist Shiva Ahmadi, ‘ornamentation becomes a form of resistance’

Inspired by Persian miniatures and 'Animal Farm,' she asks viewers to see beyond the beauty to brutal issues.

At Superfair, art is more than what’s on the walls

Lead curator Sharone Halevy on art extravaganza's highlights, including 'Disco Mermaid' and Frameline film collab.

You might also likeRELATED