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Thursday, May 9, 2024

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PerformanceStage Review

Stage Review

Stage Review

Spring (and the future) is in the air in Alonzo King’s latest show

Charles Lewis III -
The choreographer's two strong revivals and a new piece at YBCA spur the question, 'What comes next?'
Stage Review

Ranger, activist, housewife, centenarian: ‘Sign My Name to Freedom’ traces an extraordinary life

Charles Lewis III -
Betty Reid Soskin's continuing journey is set to music—and portrayed by four actors—at Z Space.
Stage Review

Shotgun’s ‘Midsummer’ misfires with broad caricatures, ‘Family Guy’ gags

Charles Lewis III -
The chemistry is good, but director William Hodgson buries Shakespeare's classic in "go big" gestures.
Stage Review

In poignant ‘The Far Country,’ immigrants caught in an endless cycle of abuse

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Lloyd Suh's Berkeley Rep premiere shows the racist US system's damaging affects on Chinese workers.
Stage Review

Jewelle Gomez’s ‘Unpacking in P’Town’ lights out on 1959 chosen family vacay

Charles Lewis III -
Playwright says her latest calls upon real life, but its catty quintet seem oddly divorced from the times.
Stage Review

Everyone needs help in ‘Cost of Living’—but how will they ask for it?

Charles Lewis III -
Martyna Majok's play at Oakland Theater Project takes on America's horror of "hand-outs" with fine performances.
Stage Review

Don’t wake up from SF Ballet’s ‘Midsummer Night’s Dream’ too soon

Charles Lewis III -
Costumes by Christian LaCroix and excellent dancing quickly put viewers under Balanchine and Shakespeare's spell.
Stage Review

Lampooning the foibles of amity in ‘Look! We Have Friends!’

Charles Lewis III -
Killing My Lobster's latest comic adventure takes aim at Dale Carnegie, Hello Fresh, and the scent of Ben Shapiro.
Stage Review

Eviction breeds guerrillas as the people fight back in ‘Dirty White Teslas Make Me Sad’

Charles Lewis III -
Ashley Smiley's world premiere at Magic Theatre presses hot button issues through the lives of Black San Franciscans.
Stage Review

‘Swan Lake,’ again? SF Ballet’s latest dip into classic justifies return

Charles Lewis III -
The company has performed the piece three times in four years, but stunning leads and ensemble work keep it fresh

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