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Sunday, March 16, 2025

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ArtArt Review

Art Review

Art

SF’s Carlos Villa becomes first Filipino American honored by a major museum retrospective

Natalia Robyns-Kresich -
But sadly—for San Francisco—his multi-site show is missing an important component.
Art Review

SFAI faculty member Carlos Villa’s hybrid legacy honored in two shows

Genevieve Quick -
Luscious cloaks and tributes to SoMa's I-Hotel assert mystical pageantry of unsung histories.
Art Review

Amid community trauma, ‘Elegies’ at MoAD holds space for poignant beauty

Genevieve Quick -
Everyday objects take on meaning beyond the ordinary, bridging art history and contemporary culture to heal loss
Art Review

Unexpected reveries, as physical meets otherworldly in ‘Antidote’

Genevieve Quick -
Provocative group show at Aggregate Space Gallery features mechanically raked Zen garden, texture-mapped CGI women
Art Review

Enter Aimée Beaubien’s delightfully messy, exuberant ‘Matter in the Hothouse’

Genevieve Quick -
At SF Camerawork, the artist weaves and transforms her photographs into an immersive, otherworldly garden
Art Review

Time slips to dizzying photographic effect in ‘Considered Interactions’

Ava Morton -
A Casemore Kirkeby, dark humor points to the frustrating and curious challenge of seeking to capture something already changing.
Art Review

Christine Elfman’s anthotypes enter the slippery space between momentary and eternal 

tamara suarez porras -
In 'All solid shapes dissolve in light' at EUQINOM, lichen dyes bring forth ethereal lavenders, and month-long exposures demonstrate care
Art Review

At MoAD, spring brings ghost-riding ‘Traumanauts,’ striking tapestries, haunting elegies

Charles Lewis III -
Afrofuturism meets 19th-century preservation and 21st-century sorrow in latest shows on view

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