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Saturday, November 23, 2024

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Arts + CulturePerformance

Performance

Onstage

Juneteenth reading of ‘3rd & Palou’ humanized 1966 Hunters Point Uprising

Tom Molanphy -
Biko Eisen-Martin's thrilling work-in-progress play is 'based on the world immediately outside the exit doors.'
Stage Review

‘Ghost of King’ channels radical speech by Civil Right leader to a T

Charles Lewis III -
Michael Wayne Turner III’s solo show at OTP masterfully evokes the Rev. Dr., but could go much further.
Stage Review

A time-jumping tale of environmental degradation in ‘Garuda’s Wing’

Charles Lewis III -
Gripping tale and great ensemble work from Magic Theatre drive home heavy subject without bumper sticker platitudes.
Stage Review

Never mind the capitalism… Here’s ‘The Lehman Trilogy’

Marke B. -
Humanizing a rapacious clan of slavery profiteers... in this economy?
Stage Review

SF Opera tackles mass shootings and class privilege in ‘Innocence’

Charles Lewis III -
>>We need you! Become a 48hills member today so we can continue our incredible local news + culture coverage. Just $20 a month helps sustain...
Onstage

Fresh Meat Fest chops it up with fierce bomba, deaf drag, queer taiko

Joshua Rotter -
23rd edition of groundbreaking queer-trans arts festival continues to grow with thrilling diversity and up-and-coming talent.
Stage Review

‘Best Available’: For theater lovers, uncomfortable in all the right ways

Charles Lewis III -
Shotgun Players' production wends through the tangle of absurdities of being artistic in a capitalist world.
Stage Review

When is a flute not a flute? SF Opera’s ‘Magic Flute’ pipes a wild tune

Charles Lewis III -
A blizzard of visual distractions—welcome, overwhelming—marks Suzanne Andrade's cinematic production.
Dance

With CubaCaribe Fest, an explosion of necessary joy and resistance

Mary Carbonara -
18th colorful installment will honor revolutionary expressions of culture across the Afro-Caribbean diaspora.
Stage Review

Life ends at 30? It’s complicated (and very Gen X) in ‘tick, tick… BOOM!’

Charles Lewis III -
Jonathan Larson's musical, which itself is turning 30, documents an artist's frustrations at a transitional age.

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