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Saturday, April 12, 2025

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Art

Review: Dynamic humor and unsettling magic in Lindsey White’s ‘How to Get on Cable Television’

The artist's latest at Casemore Kirkeby continues her quest to set whimsy alongside criticality.

Printmaker David Tim layers time and materials to capture individual stories

"Accessing multiple media allows me to challenge myself, to explore and struggle,” says the Oakland artist

With ‘Ticket to Ride,’ Optimist Williams channeled MUNI memories and Frisco legends

The graffiti artist used transfers as a metaphor for a city gone sideways: "Ed Lee was like the pinnacle of destruction here."

Review: Face to face with Leonard Cohen’s choir in ‘I’m Your Man’

Candice Breitz's video "portrait" at the CJM creates a spatial experience of touching vulnerability and awkwardness.

Review: A fascinating forensic spiral in ‘The Strange Case of Theodule Otis’

Andrew Chapman's latest at Et al. presents a mystery that underscores the slippery textures of truth

‘It was the same story’: Bay’s iconic industrial art hubs are a dying breed

Filmmaker Yasmin Mawaz-Khan upcoming documentary offers look at one battle lost: the Ace Junkyard's quixotic 2009 fight for survival.

Día de los San Franciscanos: Altars return to SOMArts

Beloved performer Per Sia speaks about hosting a Muertos drag show at the yearly exhibition—and what a queen brings to celebrations of resilience.

Halloween Meltdown host John Waters talks trash

In a wide-ranging Q&A, the People's Pervert dishes on punk, his San Francisco haunts, Patty Hearst, Johnny Depp, and modern-day censorship.

Dinosaurs have next in the art of San Francisco painter Michael Kerbow

The San Francisco painter heralds a metaphoric changing of the guard in his viral series "Late Capitalism"

Review: Pyramids to Panthers, ‘Afro Hippie’ tracks Black Power through time and space

David Huffman locates his Bay Area activist upbringing within the swirling cosmos—an homage to leaders yet to come.

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