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Thursday, December 26, 2024

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ArtArt Review

Art Review

Art Review

Do Yayoi Kusama’s candy-colored creations transcend a problematic past?

Lou Fancher -
Recently reported racist writings in the towering 94-year-old artist's past raised questions about her blockbuster SFMOMA show.
Art Review

‘Custer had it coming’: Duane Linklater’s missives from an Indigenous present

Charles Lewis III -
In 'mymothersside' at BAMPFA, the Omaskêko Cree artist considers the importance of anti-colonialist language.
Art Review

24-karat gowns, ghost handprints, powerful hair, more in MoAD’s fall exhibitions

Charles Lewis III -
New exhibits uplift and memorialize through ravishing color, while provoking thoughts about the SF just beyond the walls
Art Review

Googly-eyed creatures and underground spirits in Anne McGuire’s ‘Symbolically Depicted’

Genevieve Quick -
At Pastine Projects, obsessively detailed psychedelic drawings depicting surreal creatures and local artist friends
Art Review

Ana Jotta’s ‘Never the Less’: Drawing in many senses of the word

Bec Imrich -
At Wattis, the longtime Portuguese artist's first US show is an exhilarating peek into her work, rife with references and wordplay
Art Review

‘Difference Machines’ interrogates the bias in the Algorithm

Genevieve Quick -
The intersection of technology and identity comes under scrutiny at Gray Area
Art Review

‘The Petal’ explores slippery imagery, through cyanotype and hydrograph

Bec Imrich -
At Et al. etc, Misa Chhan and Lyric Shen' stitched fabric, image transfers, BDSM practices, and dye resists
Art Review

Mouthpieces, mistletoe, cuttlefish bones summon sonic interplay in ‘auxil’

Ava Morton -
K.R.M. Mooney's potent forms at Altman Siegel connect sculpture-making to music-making
Stage Review

Home is? Women of color tangle with question in pair of memorable museum shows

Charles Lewis III -
Nimah Gobir and Taravat Talepasand weave diasporic identity and family history via vivid display
Art Review

Black queer African artists strike visceral poses in stunning ‘Sanibonani’

Charles Lewis III -
Zanele Muholi curates a power-packed display of rites, rituals, joy, pain, and comfort at Jonathan Carver Moore

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