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Thursday, January 30, 2025

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ArtArt Review

Art Review

Stage Review

Home is? Women of color tangle with question in pair of memorable museum shows

Charles Lewis III -
Nimah Gobir and Taravat Talepasand weave diasporic identity and family history via vivid display
Art Review

Black queer African artists strike visceral poses in stunning ‘Sanibonani’

Charles Lewis III -
Zanele Muholi curates a power-packed display of rites, rituals, joy, pain, and comfort at Jonathan Carver Moore
Art Review

Diurnal rhythms captured on fabric in Christopher Robin Duncan’s ‘SEASONS’

Genevieve Quick -
Months-long exposures tie viewers to the cosmos at Rebecca Camacho Presents
Art Review

SF’s radical Asian American legacy shines in ‘Dreaming People’s History’

Natalia Robyns-Kresich -
Images from the International Hotel struggle to the post-George Floyd resistance educate while they inspire.
Art Review

‘The Tudors’ offers an irresistible lesson in state propaganda

DeWitt Cheng -
With royals very much in the news lately, Legion of Honor show underlines how power shapes culture
Art Review

‘Spaghetti Blockchain’ pushes globalized culture into the fantastical

Genevieve Quick -
Mika Rottenberg's CJM show is like a 'Choose Your Own Adventure' through the mind-spinning abstraction of labor and capital
Art Review

Cast iron dumpling sutures and winding graphite snakes in resonant ‘Malar’

Bec Imrich -
"Malar"—a two person show with Alice Gong Xiaowen and Kennedy Morgan up at House of Seiko through June 25—embraces opacity from afar and rewards...
Art Review

Madonna bong, individualist protest signs offer sly balance at pt. 2 Gallery

Genevieve Quick -
John De Fazio and Cliff Hengst create glimmering look at queer histories and identities.
Art Review

Chaldean mysticism of shadow and fire in Bessma Khalaf’s ‘ritual’

Genevieve Quick -
Luscious images coated in wax and dripping 'Tree Altars' conjure ancestral understanding at Romer Young
Art Review

An intriguing, imperfect look at Black womanhood comes to MoAD

Charles Lewis III -
From Sarah Baartman to 2 Live Crew's video girls, 'Black Venus' examines labels both forced and embraced.

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