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Wednesday, November 27, 2024

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Art

Review: Black Madonnas, fashion photos, semaphore, and song in ‘Future Histories’

At SFMOMA, Theaster Gates and Cauleen Smith draw on the African American archive to point a way forward.

Is art free speech under COVID? A local court case steams on

Ongoing San Francisco International Arts Festival lawsuit demands that arts reopen in parity with worship and dining.

Ideas can manifest as presences in Susan Adamé’s light-filled paintings

The artists beckons visions from the ethereal plane, drawing special cards and summoning intuitive inspiration.

In SFMOMA mural, Liz Hernández conjures a spell for future healing

Milagros, garlic, and losing an uncle early on to COVID inspired Mexican artist to fill a wall with hope.

Review: Zulfikar Ali Bhutto’s sequined gas masks and intergalactic minarets

Speculative meets divine in 'Future Faithful: Islamic Experiments in Space Exploration and Posthumanism'

In Carol Aust’s paintings, colorful characters on the brink of new paths

Necessity of human connection is palpable in the Oakland artist's simple gestures and narrative composition

The strange and wondrous story of the Sick & Twisted Players

Thirty years ago, the troupe brought camp movie mashups, blazingly real talent, and guaranteed Splatterama to nightlife stages.

Review: Zarouhie Abdalian holds back too much in ‘We can decide’

At Altman Siegel, the artist's minimal interventions gesture admirably but too delicately at weighty ideals.

Review: ‘God of Vengeance’ still powerful 115 years later

Taboo-busting play about Jewish tradition and lesbian love shone online in Yiddish Theatre Ensemble production.

In ‘Caravana,’ a flourishing of Central American art both political and inventive

SOMArts group show stretches from creation of Balmy Alley to rising artists inspired by regional heritage.

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