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Tuesday, January 14, 2025

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Arts + CulturePerformance

Performance

2 very San Franciscan blood baths, to take the edge off

Killing My Lobster's 'Freddy Krueger's Day Off' and Misfit Cabaret's 'Bite' bleed true.

Irma Herrera takes on tricky identity issues in ‘Why Would I Mispronounce My Own Name?’

At The Marsh Berkeley, the Tejana civil rights lawyer connects her story to the current state of the world

Clash of generations in ‘Aunt Jack’ hilariously upends LGBTQ+ cliches

Nora Brigid Monahan's West Coast premiere at New Conservatory seizes on familiar genre tropes to tell a necessary story

Rousing ‘Indecent’ is a celebration of Judaism and theater

SF Playhouse production of Paula Vogel's play delves deep in the past to question the political role of art

Naming the wave: Christina Anderson’s ‘the ripple’ dives into deep waters

World premiere multigenerational drama at Berkeley Rep swims through acts of righteous rebellion

Transporting ‘Passengers’ comforts as it thrills

Acrobatic fantasia at A.C.T. gets plenty of steam from romantic train imagery and talented 7 Fingers company

At Cal Shakes, a ‘Lear’ set adrift in Black San Francisco

Marcus Gardley's play moves Shakespeare's royal tragedy to the Fillmore in 1969, with much pontificating.

‘Man of God’: High school avengers seek to slay for thousand sexist cuts

Trigger warning: This review and the production it covers address the topics of sexual harassment, sexual assault, incest, and eating disorders. At the traditional pre-show...

Keith Hennessy set the pandemic to dance at CounterPulse with ‘Back’

The choreographer finds joy—and a fanciful stage wardrobe—in early COVID memories.

Live Shots: Oakland Pridefest’s Big Freedia, Crystal Waters, and more shimmered onstage and off

Captures from the fest really "harness" The Town's afternoon energy.

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