Performance Archives - Page 62 of 66

Onstage

The Civil War, from another side, in ‘Father Comes Home from the Wars Parts 1, 2, and 3’

Marke B. - May 10, 2018

ONSTAGE A historical epic, a taut thriller, a chamber melodrama, a heart-warming comedy, a social scalding: Playwright Suzan-Lori Parks wrings a lot from her...

Onstage

A giddy Go-Go’s time warp in “Head Over Heels”

Marke B. - April 23, 2018

ONSTAGE It's real cute, the good kind of cute. Head Over Heels (through May 6 at the Curran Theatre), the "posh meets punk" Elizabethan...

Dance

Sean Dorsey Dance’s ‘Boys in Trouble’ unpacks toxic masculinity

Marke B. - April 17, 2018

DANCE Alt-right, #metoo, the Trump administration: Toxic masculinity and its effects are all the rage. We live in a culture that only allows (and rewards)...

Onstage

Review: ‘Disruption’ offers timely #metoo twist on tech scandals

Elaine Elinson - April 9, 2018

ONSTAGE Since the #MeToo movement burst on the scene, it has illuminated the epidemic of sexual harassment that has long afflicted women in all...

Onstage

‘How To Be a White Man’ explores power and identity with a comic touch

Emily Wilson - March 19, 2018

ONSTAGE Growing up in rural Louisiana, queer black comedian and social worker Luna Malbroux was pretty familiar with assumptions people might make about her....

Onstage

Flipping the script on a tragic war’s fallout in ‘Vietgone’

Elaine Elinson - March 13, 2018

ONSTAGE "You lost a brother, I lost my family. You lost a brother, I lost my whole country… I lost everything I had." With this...

Onstage

A school mass shooting inspires a new play at Berkeley Rep

Emily Wilson - March 1, 2018

ONSTAGE After the 2007 shooting at Virginia Tech, playwright Julia Cho (Aubergine, The Language Archive) was looking for something that would help her understand...

Onstage

‘Born Yesterday’—but a 70-year-old play splendidly comments on today

Emily Wilson - February 26, 2018

ONSTAGE "It’s amazing how pertinent this feels," a man in front of me at the SF Playhouse told his friend at the end of...

Dance

Renowned dance company taps street musicians for ‘Bootstrap Tales’

Emily Wilson - February 19, 2018

DANCE Dancer and choreographer Robert Moses says he’s inherently optimistic and likes a challenge. So he decided his renowned company, Robert Moses’ Kin, would...

Onstage

The tale of an enduring marriage, sound effects included, in ‘Reel to Reel’

Elaine Elinson - February 13, 2018

ONSTAGE If hearing about an intimate drama with two couples—one youthful, one aging—trying to figure out their relationships automatically conjures up "Who’s Afraid of...

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Performance

The Civil War, from another side, in ‘Father Comes Home from the Wars Parts 1, 2, and 3’

A giddy Go-Go’s time warp in “Head Over Heels”

Sean Dorsey Dance’s ‘Boys in Trouble’ unpacks toxic masculinity

Review: ‘Disruption’ offers timely #metoo twist on tech scandals

‘How To Be a White Man’ explores power and identity with a comic touch

Flipping the script on a tragic war’s fallout in ‘Vietgone’

A school mass shooting inspires a new play at Berkeley Rep

‘Born Yesterday’—but a 70-year-old play splendidly comments on today

Renowned dance company taps street musicians for ‘Bootstrap Tales’

The tale of an enduring marriage, sound effects included, in ‘Reel to Reel’

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