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Friday, November 29, 2024

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Culture

Up, up, and within: Gravity’s Jess Curtis on the wayfinding of ‘Into the Dark’

Company's blind, low vision, and sighted performers use touch and sound to create dimensionality on lightless stage.

‘Custer had it coming’: Duane Linklater’s missives from an Indigenous present

In 'mymothersside' at BAMPFA, the Omaskêko Cree artist considers the importance of anti-colonialist language.

Under the Stars: Oakland producer sndtrak channels sunny ’80s TV vibes

Plus: 'I Need A Freak' still bangs from '83, Brian Auger's Oblivion Express gets complete, Emily Afton pays a visit, more.

Been here, done gone: Arhoolie Records’ Chris Strachwitz snapped our musical heritage

Beyond his precious recordings, a new book celebrates the documentarian's photos of essential roots musicians

At Trans Film Fest, echoes of nightlife we almost lost to COVID

'Last Call' documents the magic of three beloved queer bars—El Rio, Aunt Charlie's, and the Stud—that might have disappeared

Screen Grabs: Buckle up for Werner Herzog, baby

A tribute to the master of extremes. Plus: Trans Film Fest enlightens on a global scale, Berlin & Beyond goes beyond

Bandcamp layoffs paint bleak picture for indie musicians and union organizers

Sadie Dupuis of Speedy Ortiz, John Darnielle of Mountain Goats, more weigh in on rough blow to local fan-favorite platform.

Live Shots: Janelle Monáe dazzled with sensual pleasures (and a dash of vulnerabilty)

The singer delivered an unabashedly sexy set to a hyper-diverse crowd, in support of new album 'The Age of Pleasure'

Dan Hoyle’s ‘Border People’ demonstrates the radical empathy we need right now

The long-running solo show channels 11 folks crossing identity-based and geographic borders, and remains a must-see

Live Shots: Kim Petras danced with the Devil (and a discoball dick) at Bill Graham

The unstoppable star lit up a Halloween crowd, with a performance that pumped some subversion back into pop

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