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Monday, November 25, 2024

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Arts + CulturePerformance

Performance

Dance

D.I.R.T. Festival channels disastrous Supreme Court decisions into dance

Caitlin Donohue -
Organizers say message art still matters as a gathering point for those who struggle.
Stage Review

Sondheim’s ‘Merrily We Roll Along’ highlights his talent for writing women

Charles Lewis III -
Characters garner empathy in tale of selling-out and relationships in its wake.
Art Review

William Kentridge examined our elusive yet definite mortality in “SIBYL”

Lou Fancher -
Film-opera program's astonishing collage culminated in story of titular, ancient Cumaaean prophetess
Stage Review

SF Playhouse’s staging of ‘Clue’ is a real whodunnit

Charles Lewis III -
Our critic finds the play's talented cast and director working with a proverbial dead body.
Stage Review

In ‘Mondragola,’ a young radical faces down—Machiavelli?

Charles Lewis III -
Central Works’ season opener lampoons theatre itself, just as much as politics.
Dance

With joy and uplift, COLORFORMS leaps from screen to stage at SF Ballet

Emily Wilson -
COVID forced choreographer Myles Thatcher to film his new dance at arts institutions; now it debuts live
Stage Review

Monk ado about belief and destiny in Luis Alfaro’s ‘The Travelers’

Charles Lewis III -
The playwright's recent work at Magic Theater followed a monastery suffering a crisis of faith and funds.
Stage Review

‘Cambodian Rock Band’ faces down terrors of genocide with zingers and jams

Charles Lewis III -
Lauren Yee's musical at the Berkeley Rep interrogates a terrible history with song.
Best of the Bay

Best of the Bay Editors’ Pick: Stage Werx

Charles Lewis III -
A mighty little venue that embodies the spirit of independent theater in the Bay Area
Stage Review

Fizzy and full of song: You’ll get a kick out of ‘Anything Goes’

Charles Lewis III -
42nd Street Moon's production of the Noel Coward chestnut boasts a game cast and plenty of familiar tunes.

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