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Tuesday, November 26, 2024

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Arts + CulturePerformance

Performance

Review: Men are pig(food) in ‘The Kind Ones’

Miranda Rose Hall's world premiere kicks off a new era for the Magic Theatre, with plenty of voracious squeals.

Review: SF Ballet leapt joyfully into electronic complexity with ‘Blake Works’

Program II of Helgi Tómasson's final season also included his neoclassical jewel 'Caprice' and a Jerome Robbins favorite.

Review: Electrifying ‘I, Too, Sing America’ contains multitudes

At Brava Theatre, performers dance, sing, and rap about wide-ranging issues—but the show feels specific to Calle 24 culture.

Review: Volcanic ‘Mrs. Robinson’ heads up Helgi Tómasson’s final SF Ballet season

Longtime artistic director exits with flag firmly planted in 21st century, but who can resist Balanchine's 'Symphony in C'?

Review: Despite audience connection, ‘Freestyle Love’ not so ‘Supreme’

The upbeat Lin-Manuel Miranda-founded troupe mixes improv with hip-hop—but where's the beef?

With ‘The Kind Ones,’ a gift play for a woman in a Montana shelter

Miranda Rose Hall's new work at Magic Theatre contemplates what happens when systems fail.

Review: ‘Swept Away’—bluegrass shanties on high seas, until a shocking twist

John Logan and the Avett Brothers' new musical at Berkeley Rep is near-perfection—but maybe should come with a warning.

Review: ‘Woman in Black’ gives all the right scares

'London's longest-running ghost story' comes to the Strand—delivering a good kind of terror for our times.

Review: Gay love story ‘Gently Down the Stream’ stirs few ripples

At New Conservatory, a technically well-done play by the author of 'Bent' seems too familiar even for rom-com territory.

Review: SF ballet delivers comforting ‘Nutcracker’ in less-than-plum circumstances

Clara battles giant pests and reaches wonderland—a hopeful contemporary parallel, if only the audience could keep up.

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